The essays in the volume study various aspects of the iconography of cylinder seals from the Akkadian period to the Neo-Assyrian period, from Mesopotamia to Hittite Anatolia. The authors deal mostly with concrete cases, including themes such as warfare, the sacred tree, fish and the god Ninurta. An introduction discusses the problems involved in interpreting iconography with few or no texts, and the volume is opened by a memorial of Henri Frankfort, second Director of the Institute, by his successor J. B. Trapp. The illustrations include a wide range of seal impressions. The book will be of interest to archaeologists and art historians of the ancient Near East, and to comparative iconologists. It was first published in 2006, and quickly sold out (ISBN-10: 0854811354). A limited number of volumes have been reprinted in 2018 for interested specialists (ISBN-13: 978-0-85481-135-9).

Studies of seals and sealing practices have traditionally investigated aspects of social, political, economic, and ideological systems in ancient societies throughout the Old World. Previously, scholarship has focused on description and documentation, chronology and dynastic histories, administrative function, iconography, and style. More recent studies have emphasized context, production and use, and increasingly, identity, gender, and the social lives of seals, their users, and the artisans who produced them. Using several methodological and theoretical perspectives, this volume presents up-to-date research on seals that is comparative in scope and focus. The cross-cultural and interdisciplinary approach advances our understanding of the significance of an important class of material culture of the ancient world. The volume will serve as an essential resource for scholars, students, and others interested in glyptic studies, seal production and use, and sealing practices in the Ancient Near East, Egypt, Ancient South Asia and the Aegean during the 4th-2nd Millennia BCE.

In this survey, the author looks at the development and use of cylinder seals over 3000 years. She discusses the information that they provide on religion, design and aspects of daily life in the Near East for this period.

Cylindrically-shaped sals first appeared int he second half of the fourth millennium B.C, gradually replacing the more traditional stamp seals. Cylinder seals are interesting not only for the past functional uses and for what they reveal about ancient Near Eastern culture and society--but the representations rendered by the seals are a worthy art form. This book discusses over 700 seals, including a large number of Syrian seals. --Publisher description.

This book is the most comprehensive treatment of the art of Syria in the third millennium B.C. It is a catalogue of nearly 600 seals from Tell Brak, combined with a general study of the comparative material. It is both a basic word of reference and a new synthesis of the Syrian Early Bronze Age. relate to taxation during the New Kingdom.

Not only their function in Ancient Near Eastern daily life makes stamp and cylinder seals an important subject of study, but also their outstanding aesthetic beauty. The examples of stamp and cylinder seals catalogued and described in the present volume are part of the collection of Ancient Near Eastern glyptic art acquired by the Kist family during the last century. The collection consists of hundreds of seals ranging from the fourth millennium Uruk and Jemdet Nasr periods up to the Achaemenid period of the first millennium B.C. The majority of the artifacts are published here for the first time, making the volume into a unique and essential resource for Ancient Near Eastern scholars and art historians.