Patrick Deeley's train journey home to rural East Galway in autumn 1978 was a pilgrimage of grief: his giant of a father had been felled, the hurley-making workshop silenced. From this moment, Patrick unfolds his childhood as a series of evocative moments, from the intricate workings of the timber workshop run by his father to the slow taking apart of an old tractor and the physical burial of a steam engine; from his mother’s steady work on an old Singer sewing machine to his father’s vertiginous quickstep on the roof of their house. There are many wonderful descriptions of the natural world and delightful cameos of characters and incidents from a not-so-long-ago country childhood. In a style reminiscent of John McGahern’s Memoir, Deeley’s beautifully paced prose captures the rhythms, struggles and rough edges of a rural life that was already dying even as he grew. This is an enchanting, beautifully written account of family, love, loss, and the unstoppable march of time.

The Gaelic Athletic Association (GAA) is a part of the Irish consciousness and plays an influential role in Irish society that extends far beyond the sport itself. In popular imagination and experience, the GAA is often evoked in terms of its objects: medals passed down from generation to generation, jerseys worn in All-Ireland finals, Michael Cusack’s blackthorn stick, a pair of glasses damaged during the events of Bloody Sunday. It is this body of objects that forms the focus of this book. A History of the GAA in 100 Objects acts as a signpost to significant moments in GAA history, offers fresh perspectives on a previously overlooked area of enquiry and presents new ideas not available elsewhere.