A groundbreaking, witty, and eloquent exploration of slime that will leave you appreciating the nebulous and neglected sticky stuff that covers our world, inside and out. Slime. The very word seems to ooze oily menace, conjuring up a variety of unpleasant associations: mucous, toxins, reptiles, pollutants, and other unsavory viscous semi-liquid substances. Yet without slime, the natural world would be completely unrecognizable; in fact, life itself as we know it would be impossible In this deft and fascinating book, journalist Susanne Wedlich takes us on a tour of all things slimy, from the most unctuous of science fiction monsters to the biochemical compounds that are the very building blocks of life. Along the way she shows us what slime really means, and why slime is not something to fear, but rather something to ... embrace.

John C. Laskey's guide to the Hunterian Museum in Glasgow provides a detailed account of the institution's collections and exhibits. This book includes descriptions and analyses of the museum's specimens, ranging from natural history to fine art. The museum remains an important center of research and learning today, and this historical guide offers insight into its past and development. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book describes the life and achievements of the eighteenth-century Scottish physician William Hunter and outlines the history of the Museum named after him. William Hunter built up a wide-ranging private collection at his home in London, encompassing not only anatomical and pathological specimens related to his medical work, but also books and manuscripts, coins and medals, natural history specimens and artworks. On his death in 1783 he bequeathed the collection to the University of Glasgow where he had long ago been a student, and money to construct a Museum which opened in 1807. The book utilises a wide range of source material, much of it previously unpublished, to tell the story of the Museum's development, the many subsequent additions to its holdings and, more recently, the construction of a new Hunterian Art Gallery which houses not only Hunter's own collection but also numerous works be James McNeill Whistler and Charles Rennie Mackintosh. The Museum is celebrating its bicentenary in 2007.There is a foreward contributed by Sir Kenneth Calman, Chancellor of the University of Glasgow, and formerly Government Chief Medical Officer and Vice-Chancellor of the University of Durham

"This publication accompanies the exhibitions William Hunter and the Anatomy of the Modern Museum co-organized by The Hunterian Museum, Glasgow, on view 27 September 2018-6 January, 2019, and the Yale Center for British Art, New Haven, on view 14 February-20 May 2019."

Accompanying an exhibition at the Wallace Collection, this catalog will seek to examine relationships between these two works and their creation, focusing on establishing common threads drawn from contemporary French social and cultural history. When seen together, the two paintings acquire a new resonance, showing the imaginative and Parisian response of two very different painters to a new interest in scenes from everyday life. The paintings are examined in the context of a dozen further works by the artists, and prints, drawings, books and decorative art objects including oriental textiles and porcelain. This provides an opportunity to address undercurrent social history themes, such as the artists' attitudes to fashion, interior decoration, and even the consumption of tea - a pastime borne from the contemporary fashion in eighteenth-century France and Great Britain for anything oriental, influenced by new trade links with China.