Despite the history that divides them, Hinduism and Orthodox Christianity have much in common. In The Human Icon, Christine Mangala Frost explores how both religions seek to realise the divine potential of every human being, and the differences in their approach. Frost, who has experienced both the extraordinary riches and the all-too-human failings of Hinduism and Orthodox Christianity from the inside, is perfectly placed to examine the convergences and divergences between the two faiths. Inspired by a desire to clear up the misunderstandings that exist between the two, The Human Icon is a study in how two faiths, superficially dissimilar, can nevertheless find meeting points everywhere. The powerful intellectual and spiritual patristic traditions of Orthodox Christianity offer a rare tool for revitalising too-often stalled dialogue with Hinduism and present the chance for a broader and more diverse understanding of the oldest religion in the world. Tracing the long history of Orthodox Christianity in India, from the Thomas Christians of ancient times to the distinctive theology of Paulos Mar Gregorios and the Kottayam School, Frost explores the impact of Hindu thought on Indian Christianity and considers the potential for confluence. With a breadth of interest that spans Hindu bhakti, Orthodox devotional theology, Vedanta and theosis, as well as meditational Yoga and hesychastic prayer, Frost offers a fresh perspective on how the devotees of both faiths approach the ideal of divinisation, and presents a thoughtful, modern methodology for a dialogue of life.

Despite the history that divides them, Hinduism and Orthodox Christianity have much in common. In The Human Icon, Christine Mangala Frost explores how both religions seek to realise the divine potential of every human being, and the differences in their approach. Frost, who has experienced both the extraordinary riches and the all-too-human failings of Hinduism and Orthodox Christianity from the inside, is perfectly placed to examine the convergences and divergences between the two faiths. Inspired by a desire to clear up the misunderstandings that exist between the two, The Human Icon is a study in how two faiths, superficially dissimilar, can nevertheless find meeting points everywhere. The powerful intellectual and spiritual patristic traditions of Orthodox Christianity offer a rare tool for revitalising too-often stalled dialogue with Hinduism and present the chance for a broader and more diverse understanding of the oldest religion in the world. Tracing the long history of Orthodox Christianity in India, from the Thomas Christians of ancient times to the distinctive theology of Paulos Mar Gregorios and the Kottayam School, Frost explores the impact of Hindu thought on Indian Christianity and considers the potential for confluence. With a breadth of interest that spans Hindu bhakti, Orthodox devotional theology, Vedanta and theosis, as well as meditational Yoga and hesychastic prayer, Frost offers a fresh perspective on how the devotees of both faiths approach the ideal of divinisation, and presents a thoughtful, modern methodology for a dialogue of life.

The principal editor of the Catechism of the Catholic Church, presents the sources of meditation on the mystery of God's human face from the great Masters of early Christianity. Artists and theologians have meditated upon the mystery of God's human countenance and tried to express it. This book seeks to present the great sources of this meditation--sources which today are widely unknown, or have become foreign or obscure. These sources are above all the great masters of early Christianity. In their meditation upon Christ, Bishop Schonborn seeks the sources of the art on the Icon. The reader will find not only an engaging introduction to the meaning and beauty of Icons, but an invitation to draw closer to the One who inspired these Masters of theological expression and holy art. Includes beautiful color Icon illustrations.

This is one of those rare books whose influence will grow rather than diminish with the years. Icon and Idea is destined to take its place beside Ernst Cassirer's massive and difficult The Philosophy of Symbolic Forms as a basic work on the original, creative power of the human spirit as it is enacted as culture -- in myth, religion, science, art. Sir Herbert Read's book is neither massive nor difficult. It was first delivered as the Charles Eliot Norton Lectures 1953-1954, at Harvard. Text and pictures together illustrate the intellectual courage of a great art critic, aesthetician and intellectual theorist, as well as poet and novelist. Advancing beyond Cassirer's theory of the irreducible autonomy of culture, Read develops his theory that "the image always precedes the idea in the development of human consciousness." Having established this major thesis, Read goes on to elaborate it in a way that will interest not only students of art history and the social sciences but any reader interested in the right basis for education. In arguing the primacy of art work in human development, Read gives the reader a fine general education in the history and psychology of art

"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.

Black Icons in Herstory features bold, colorfully illustrated portraits of 50 of the most admired women in the fields of music, film, literature, politics, human rights, and more. This second book in our Icons series focuses exclusively on remarkable Black women, celebrating their achievements, legacy, and continued inspiration. From Harriet Tubman to Kamala Harris; from Nina Simone to Beyoncé; from Michelle Obama to Amanda Gorman; this curated list of role models is significant. Each striking portrait illustrated by Monica Ahanonu is accompanied by a biography of each woman, highlighting her contributions to our culture and her lasting influence on herstory.

The controversial science that claims to have revolutionised economics. For centuries, economics was dominated by the idea that we are rational individuals who optimise our own 'utility'. Then, in the 1970s, psychologists demonstrated that the reality is a lot messier. We don't really know what our utility is, and we care about people other than ourselves. We are susceptible to external nudges. And far from being perfectly rational we are prone to 'cognitive biases' with complex effects on decision-making, such as forgetting to prepare for retirement. David Orrell explores the findings from psychology and neuroscience that are shaking up economics - and that are being exploited by policy-makers and marketers alike, to shape everything from how we shop for food, to how we tackle societal happiness or climate change. Finally, he asks: is behavioural economics a scientific revolution, or just a scientific form of marketing?