'My life was simple: repetitive, predictable. Then the predictability blew away like vapour when the bomb fell.' Seven-year-old Parvati's perfect world came crashing down the night the bomb fell on her house and she lost her mother and grandmother. Her father, an army officer deployed in Kashmir during the '71 war, also went missing that night. Orphaned overnight, Parvati left Ambala Cantt to live with her aunt's family. Now, twenty years later, she has returned to 169, The Mall to exorcize the ghosts of the past. While trying to find out what happened on that fateful night Parvati experiences the familiarity and warmth of life in a small cantonment-impromptu picnics, polo matches, husbands' nights. But she also uncovers deep secrets and a web of lies that will forever alter the course of her life. In The House on Mall Road Mohyna Srinivasan gives us a unique glimpse of life in the army-the hospitality of the people, their kindness and affection, the quaint yet charming traditions that uphold authority and valour while always maintaining respect and camaraderie. Dramatic and riveting, The House on Mall Road is a spellbinding debut novel.

The first general history of the National Mall in Washington, America's most important urban park. The Mall is home to the Smithsonian Institution, the largest museum complex in the world, and it is the location of memorials to America's most important heroes. It has become the nation's center stage as well, the venue for the country's largest demonstrations. The Washington National Mall details the history of the National Mall and its institutions, then tells the stories behind each of the monuments and museums.

Sixteen-year-old Sarah wakes up dead at the Mall of America only to find she was murdered, and she must work with a group of dead teenagers to finish up the unresolved business of their former lives while preventing her murderer from killing again.

"Pasha Malla writes like a reincarnated Kafka." —Ian Williams, winner of the Giller Prize for Reproduction Douglas Adams meets David Lynch in this ingenious, witty fable about one of North America's most surreal inventions—the local mall. After writing a letter in praise of malls, our eccentric narrator is offered a residency at a shabby suburban shopping centre. His mission: to occupy the mall for several weeks, splitting his time between "making work" and "engaging the public," all while chronicling his adventures in weekly progress reports. Before long, a series of strange after-hour events rattles our hero, and he sets forth on a nightly quest to untangle the mysterious forces at play in the mall's unmapped recesses. Things quickly get hairy, and our narrator's optimism about his mall residency descends into doubt, and then into a full-blown phantasmagoria of horror and (possibly) murder. With the aid of a weird and wonderful cast of mall-dwelling misfits--including a pony named Gary--our narrator is forced to conclude that his new residence may not be the temple of consumer bliss he initially imagined, but something far more sinister. And who, or what, is benefitting from its existence? Much like the shopping centres it praises and parodies, Pasha Malla’s wildly adventurous novel follows its own internal logic, channeling its narrator’s unshakeable innocence to explore the darker edges of human (and other) nature.

Sometimes people aren't who you think they are. Everyone knew what was going on in Ballard, Washington: developers were building a giant shopping mall, but a house belonging to a feisty octogenarian named Edith Wilson Macefield was in the way. They offered her a million dollars. She told them to take a hike. Everyone knew that Barry Martin, head of the construction project, was involved in the push to get her out of the house so that the project could proceed without further delay. Everyone was wrong. When Barry took the job as construction supervisor for the shopping mall that was being erected around Edith's little house, he determined to make things as easy for her as he could. He didn't expect that she'd ask him to drive her to a hair appointment—but he did offer to help, after all. And it was in that one small gesture that an unlikely friendship was sparked, one that changed them both forever. The story of Barry Martin and Edith Macefield is a tale of balance and compassion, of giving enough without giving too much, of helping our elderly loved ones through the tough times without taking away their dignity. In the end, Under One Roof is a tale of grace, and one from which all of us can take solace and strength. From Barry and Edith we have much to learn about love and letting go and, just possibly, about seeing through fading light to find great joy.

Describes the history of the National Mall and the buildings around it.