This volume examines the use of the image of the Jewish temple in the writings of the Anglo-Saxon theologian and historian, Bede (d. 735). The various Jewish holy sites described in the Bible possessed multiple different meanings for Bede and therefore this imagery provides an excellent window into his thought. Bede's Temple: An Image and its Interpretation examines Bede's use of the temple to reveal his ideas of history, the universe, Christ, the Church, and the individual Christian. Across his wide body of writings Bede presented an image of unity, whether that be the unity of Jew and gentile in the universal Church, or the unity of human and divine in the incarnate Christ, and the temple-image provided a means of understanding and celebrating that unity. Conor O'Brien argues that Bede's understanding of the temple was part of the shared spirituality and communal discourse of his monastery at Wearmouth-Jarrow, in particular as revealed in the great illuminated Bible made there: the Codex Amiatinus. Studying the temple in Bede's works reveals not just an individual genius, but a monastic community engaged actively in scriptural interpretation and religious reflection. O'Brien makes an important contribution to our understanding of early Anglo-Saxon England's most important author, the world in which he lived, and the processes that inspired his work.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

And now was borne ill upon my inner soul, as by a divine injunction, "This gospel go thou and proclaim, till from on high thou art called home;" and I have not been disobedient to this heavenly vision. Not that there was any perceptible manifestation, as in the case of Saul of Tarsus, but the evidence of the identity of the Anglo-Saxons with the lost tribes of Israel became as convincing to me as the manifestation made to Saul, that Jesus Christ was he whom Saul was then persecuting; and from that time to this, I have endeavored to execute my commission to the utmost of my ability. Now the inquiry is often raised, "How is it that the truths of the ten tribes of Israel have been so long concealed? Why have they never been known before?" The only answer that I can give to this inquiry is, "Even so, Father, for so it seemed good in thy sight." It was in the divine plan that Israel (ten-tribed) should be lost, and that a veil should cover all eyes; that they should not see when reading the prophets, so as to apprehend the full meaning of the prophecy.

The thirteen essays in Imagining the Jew in Anglo-Saxon Literature and Culture examine visual and textual representations of Jews before 1066.