Wherever cattle have been raised on a large scale horsemen have been there to handle them; and wherever these horsemen have existed they have left an indelible mark upon the history of the land. Frequently they have been ignorant, violent, and brutal. Always they have been vigorous and individualistic. They have taken their herds into frontier areas, opened new country, fought and driven off earlier inhabitants, participated in revolutions, battled among themselves, and generally lived lives which, colorful and somewhat frightening to their contemporaries, have become robust legends to those who followed them. Edward Larocque Tinker portrays the life of these people in the two Americas, the conditions which created them, and those that ultimately destroyed or transformed them. "Ever since I was a small boy, when my parents returned from Mexico bringing me a charro outfit complete with saddle and bridle, Latin America has beckoned with the finger of romance," Mr. Tinker recalls. "As soon as I was old enough, I made many trips to Mexico and, in the days of Porfirio Díaz, learned to know it from the border to the Isthmus of Tehuantepec. During the Revolution I was with General Álvaro Obregón when he was a Teniente Coronel in his Sonora Campaign, and, although I was only a lawyer on a holiday, took care of his wounded in the battel of San Joaquín. Later, in Pancho Villa's train, I was present at Celaya when he was defeated by Obregón. "Always an ardent horseman, I worked many a roundup with the vaqueros of Sonora and Chihuahua, and with the cowboys of our Southwest. . . . "I saw the similarity between the American cowboy, the Argentine Gaucho, and the Vaquero of Mexico. They all received their gear and technique of cattle handling from Spain, and developed the same independence, courage, and hardihood. I thought if these qualities were better known they might serve as a bridge to closer understanding throughout the Americas." From his study of the lives of these horsemen, Tinker proceeds to an examination of the literature that evolved among and then about them. The first and largest part of the book deals with the gaucho of Argentina and Uruguay. The second and third sections examine the charro of Mexico and the cowboy of the United States.

"These thirteen essays comprise a richly patterned 'quilt,' expertly addressing the influence of Mexico and Latin and South America upon the North American imagination. . . . Cecil Robinson's impressive breadth of expertise, his fascinating interpretations, make this collection of essays invaluable regional reading. The bibliography alone is a treasure—a gift from a man whose life's work was to form a bridge of humanistic understanding between the two primary cultures of the New World."—El Palacio "In graceful prose, the longtime English professor leads readers on a leisurely stroll through the literary landscape of the Southwest."—Journal of Arizona History "Does more for reconstructing American literature than any of the contemporary American literature anthologies that are on the market today. . . . Strongly recommended."—Choice

Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.

Popular Abstracts is a reference tool providing access to information appearing in past issues of three journals published by the Bowling Green Popular Press. Abstracts are included for each article appearing in the first ten volumes of The Journal of Popular Culture (1967-1977), the first five volumes of The Journal of Popular Film (1972-1977), and the first four volumes of Popular Music and Society (1971-1975).

Listen to a short interview with Joan Shelley RubinHost: Chris Gondek | Producer: Heron & Crane In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they experienced in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry influenced readers' lives and helped them to find meaning in a poet's words. Emphasizing the cultural circumstances that influenced the production and reception of poets and poetry in this country, Rubin recovers the experiences of ordinary people reading poems in public places. We see the recent immigrant seeking acceptance, the schoolchild eager to be integrated into the class, the mourner sharing grief at a funeral, the grandparent trying to bridge the generation gap--all instances of readers remaking texts to meet social and personal needs. Preserving the moral, romantic, and sentimental legacies of the nineteenth century, the act of reading poems offered cultural continuity, spiritual comfort, and pleasure. Songs of Ourselves is a unique history of literary texts as lived experience. By blurring the boundaries between "high" and "popular" poetry as well as between modern and traditional, it creates a fuller, more democratic way of studying our poetic language and ourselves.

Hispanic culture is woven into all aspects of Texas life, from mission-style architecture to the highly popular Tex-Mex cuisine, from ranching and rodeo traditions to the Catholic religion. So common are these Hispanic influences, in fact, that they have been widely accepted as a part of everyone's heritage, comfortingly familiar and distinctively Texan. This new edition of Hispanic Texas contains all the guidebook entries of the original volume in a compact format perfect for taking along on trips throughout the state. Entries are arranged by region: San Antonio and South Texas Laredo and the Rio Grande Valley El Paso and Trans-Pecos Texas Austin and Central Texas Houston and Southeast Texas Dallas and North Texas Lubbock and the Plains Within each region, a city-by-city listing details the historic and modern sites and structures that bear Hispanic influence. Descriptions of local festivals and events, public art, museums, natural areas, and scenic drives enhance the entries, which are also profusely illustrated with historic and modern photographs and other illustrations.

The modern American foundation as an instrumentality for charitable and philanthropic giving is in many ways a unique and complex social/economic/political institution. This is particularly the case for foundations with large assets. As a social phenomenon, the foundation has deep roots in the past. At the beginnings of any degree of civilization charitable giving and rudimentary forms of foundations emerge. This is the case in many regions of the world. The pattern is consistent: once enough property or wealth beyond primitive human needs is accumulated, some of it begins to be set aside for what the donors of such wealth consider worthwhile purposes.The serious literature contributing greatly to public perception of philanthropy and foundations has been relatively sparse. Much of what is available is quantitative and statistical in nature. There has been limited objective attention to the motives or reasons spurring individual philanthropists to engage or not to engage in creating foundations; such motivation needs historical and comparative analysis. Major investigations and studies of foundations, together with ancillary national, regional, and international organizations to facilitate such study, have received spotty consideration.Philanthropists and Foundation Globalization addresses three interrelated aspects of foundation history. First, it reviews biographical-historical profiles of the founding philanthropists and their heirs engaged in international giving. Second, it discusses major governmental and non-governmental investigations and studies of foundations including domestic ones, and also foreign ones in which U.S. participants have played a prominent role, spanning the period 1912 to the present. Third, it chronicles foundation developments and activities in Europe at the close of the twentieth century. The volume provides a historical account of some U.S. foundations' international activity in a particular region in a specific time period and their a