A revelation of the art and mind of a unique artist lost and alone in the world of nature, this beautiful book records Anderson's experiences on one of the barrier islands in the Gulf of Mexico over a period of twenty years. Revised edition.

An inspired history of Horn Island, a spectacular natural treasure and a demanding environment

A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.

The astonishing history of a brilliant treasure Walter Anderson created in his hidden room.

The poems of Barrier Island Suite are inspired by the life, art, and writings of Walter Inglis Anderson, who spent much of his adult life exploring the barrier islands of Mississippi, sketching and painting their flora and fauna, and chronicling his adventures in numerous logs. The islands form a liminal space between the land and sea, between nature and culture, between madness and conformity. Elements of the Anderson’s life, including his travels, his struggles with mental illness, and his murals at Oldfields, the Ocean Springs Public School and Community Center, and the cottage at Shearwater Pottery are also incorporated. from "The Islander" Painting his subject, Wen Yü K’o becomes bamboo. Han Kan turns to horse. Walter merges with island, follows pig tunnels through brush. In flotsam shoes, he walks on water moccasins and on copperheads. Not immune to their venom he suffers fevered visions. He’s the young heron seen climbing a dead pine spar with feet, wings, and bill, stretching out to mount a cloud and take the heavens by storm.

A celebration of the phenomenal prints of a virtuoso artist

A celebration of four Mississippi artists and their nationally renowned work