From “master of language” (The New York Times) John Edgar Wideman, a reissue of the revered trilogy that launched his career—two novels and story collection all set in Wideman’s own hometown. Damballah, Hiding Place, and Sent for You Yesterday provide a stunning introduction to the uncompromising work of John Edgar Wideman, whose literary achievements have inspired The New York Times to name him “one of America’s premier writers of fiction.” Damballah’s narratives examine the vexed history of Homewood, a Pittsburgh, Pennsylvania neighborhood whose origins are rooted in a time when slavery was still legal in the United States of America. The novels Hiding Place and Sent for You Yesterday personalize and interrogate that history’s presence in the contemporary lives of Homewood people and all Americans. Deeply concerned that designations such as “economically oppressed” or “Black” continue to dismiss and marginalize rather than embrace communities like the one in which he was raised, John Edgar Wideman—employing words on the page as his weapon—has dedicated himself to recording the weight, beauty, complexity, and justice that he believes Homewood’s voices, stories, and lives have earned and deserve. In 1983, The Homewood Trilogy signaled the arrival of a major voice in American literature. Forty years later, this edition of the Trilogy celebrates Wideman’s ongoing contribution by offering these masterworks to a new generation of readers.

Traces the experiences of a Black family from just after the Civil War to the radical sixties.

"Homewood was to be a place in his fiction but also more than that, a metaphor for the African American experience".

*A Wall Street Journal Top 10 Best Book of the Year* From John Edgar Wideman, a modern “master of language” (The New York Times Book Review), comes a stunning story collection that spans a range of topics from Michael Jordan to Emmett Till, from childhood memories to the final day in a prison cell. In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that—despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division—encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior. Never content merely to tell a story, Wideman seeks once again to create language that delivers passages like jazz solos, and virtuosic manipulations of time to entangle past and present. The story “Separation” begins with a boy afraid to stand alone beside his grandfather’s coffin, then wends its way back and forth from Pittsburgh to ancient Sumer. “Atlanta Murders” starts with two chickens crossing a road and becomes a dark riff, contemplating “Evidence of Things Not Seen,” James Baldwin’s report on the 1979–1981 child murders in Atlanta, Georgia. Comprised of fictions of the highest caliber and relevancy by a writer whose imagination and intellect “prove his continued vitality...with vigor and soul” (Entertainment Weekly), Look For Me and I’ll Be Gone will entrance and surprise committed Wideman fans and newcomers alike.

Lucy and Carl struggle to prevent the extinction of the Black community of Homewood and to keep alive the musical heritage of the blues piano player, Albert Wilkes.

From “master of language” (The New York Times) John Edgar Wideman, a reissue of the revered trilogy that launched his career—two novels and story collection all set in Wideman’s own hometown. Damballah, Hiding Place, and Sent for You Yesterday provide a stunning introduction to the uncompromising work of John Edgar Wideman, whose literary achievements have inspired The New York Times to name him “one of America’s premier writers of fiction.” Damballah’s narratives examine the vexed history of Homewood, a Pittsburgh, Pennsylvania neighborhood whose origins are rooted in a time when slavery was still legal in the United States of America. The novels Hiding Place and Sent for You Yesterday personalize and interrogate that history’s presence in the contemporary lives of Homewood people and all Americans. Deeply concerned that designations such as “economically oppressed” or “Black” continue to dismiss and marginalize rather than embrace communities like the one in which he was raised, John Edgar Wideman—employing words on the page as his weapon—has dedicated himself to recording the weight, beauty, complexity, and justice that he believes Homewood’s voices, stories, and lives have earned and deserve. In 1983, The Homewood Trilogy signaled the arrival of a major voice in American literature. Forty years later, this edition of the Trilogy celebrates Wideman’s ongoing contribution by offering these masterworks to a new generation of readers.

When a man is murdered and he is unfairly accused, Tommy hides out with Mother Bess--a relative who is mean and mentally unbalanced--and together they wallow in trepidation and anger desperately trying to find the nerve to face the world.