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"Between the years 1814 and 1878 there was published in Japan a series of woodblock-printed volumes entitled "Hokusai manga, ' or 'Hokusai's sketches from life, ' which was destined to be one of the most popular art publications ever issued anywhere in the world. With its rich tapestry of life as it was lived in the boisterous Tokyo of the day and its magical evocation of the beauties of the Japanese countryside, it was an immediate best-seller in Japan, and then, upon the West's discovery of Japanese art, went on to win the hearts of people everywhere"--Jacket flap.

Hokusai's "Mangas" constitute a comprehensive visual encyclopaedia of the Japanese civilization in the XIXth Century. He also depicts the Japanese landscape: wildlife, vegetation, mountains, countryside, seaside, the changes of weather, architecture as well as religious and mythological themes.

Manga from the Floating World is the first full-length study in English of the kibyôshi, a genre of sophisticated pictorial fiction widely read in late-eighteenth-century Japan. By combining analysis of the socioeconomic and historical milieus in which the genre was produced and consumed with three annotated translations of works by major author-artist Santô Kyôden (1761-1816) that closely reproduce the experience of encountering the originals, Adam Kern offers a sustained close reading of the vibrant popular imagination of the mid-Edo period. The kibyôshi, Kern argues, became an influential form of political satire that seemed poised to transform the uniquely Edoesque brand of urban commoner culture into something more, perhaps even a national culture, until the shogunal government intervened. Based on extensive research using primary sources in their original Edo editions, the volume is copiously illustrated with rare prints from Japanese archival collections. It serves as an introduction not only to the kibyôshi but also to the genre's readers and critics, narratological conventions, modes of visuality, format, and relationship to the modern Japanese comicbook (manga) and to the popular literature and wit of Edo. Filled with graphic puns and caricatures, these entertaining works will appeal to the general reader as well as to the more experienced student of Japanese cultural history.

Offering a unique view of Japanese life, this is the first of Ching's books to focus on the pure joy of drawing. The author is one of the world's greatest graphic communicators, as well as a registered architect and a professor at the University of Washington.

The story of manga, a vibrant form of Japanese narrative art, from its roots to its emergence as a contemporary global sensation. Manga is a form of Japanese narrative art that has grown over the centuries to become a global phenomenon in the post–World War II era. Initially referring to graphic novels and comics, manga has expanded beyond its original forms to include animation, fashion, and new media. Arranged into six thematic chapters, each opening with an essay, followed by interviews and art selections, this revealing study traces the origins of manga and explores its role in society, and its appearance in different media, from video games to street art, as well as its growing international reach. The voices of manga artists and editors are reflected throughout the book, along with critical analysis by leading scholars. Taking the style of the genre and its terms of reference as its cue, Manga draws upon printed manga works, artwork, manga magazines, original drawings, theater, film, digital technologies, and interviews with artists and publishers to bring the subject vividly to life. This book gives readers an understanding of the excitement generated by a form that crosses cultures and media in a globalized world.