Excerpt from The History of Yiddish Literature in the Nineteenth Century In London the British Museum furnished me with a few modern works which are now difficult to procure, especially the periodical Kolmewasser and Warschauer Judisehe Zeitung. Unfortunately my time was limited, and I was unable to make thorough bibliographical notes from these rare publications; besides, I then hoped to be able to discover sets of them in Russia. In this I was disappointed - hence the meagreness of my references to them. The Rosenthaliana in Amsterdam and the Imperial Library in Berlin added nothing material to my information. Warsaw was my first objective point as regards facts and books. The latter I obtained in large numbers by rummaging the bookstores of Scheinfinkel and Morgenstern. In a dark and damp cellar, in which Morgenstern kept part of his store, many rare books were picked up. In Warsaw I received many valuable data from Perez, Dienesohn, Spektor, Freid, Levinsohn, both as to the activity which they themselves have developed and as to what they knew of some of their confreres. In Bialystok I called on the venerable poet, Gottlober; he is very advanced in years, being above ninety, is blind, and no longer in possession of his mental faculties, but his daughter gave me some interesting information about her father. Wilna presented nothing noteworthy, except that in a store a few early prints were found. In St. Petersburg I had hoped to spend usefully a week investigating the rich collections of Judeo-German in the Asiatic Museum and the Imperial Library. The museum was, however, closed for the summer, and the restrictions placed on the investigator in the library made it impossible to inspect even one-tenth of the three or four thousand books contained there. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

Diasporic Modernisms illuminates the formal and historical aspects of displaced Jewish writers--S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, and others--who grappled with statelessness and the uncertain status of Yiddish and Hebrew.

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