This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Studies the last years of Richard II's reign and the circumstances of his overthrow by Henry of Bolingbroke in 1399. This work reviews Richard's early experiences, from his accession, aged only ten, through the troubled politics of the 1380s, while placing emphasis on his own insecurities and the vexed issue of the succession.

Considers the theatrical fortunes of Richard II from its politically controversial beginnings on the Elizabethan and Restoration stage, to its various later interpretations responding to 19th- and 20th-century tastes and attitudes. A wide range of performances is documented and discussed. These illustrate the ways in which different theatres and companies have staged the play by cutting, restructuring or adding to Shakepeare's script to highlight spectacle, the personality of the King, the nature of authority and the place of Richard in the overall sweep of English history.

This book offers a radical reinterpretation of Richard II. Nigel Saul paints a picture of the King as a highly assertive and determined ruler, one whose key aim was to exalt the crown.

When King Richard II banishes two feuding noblemen from England, he sets into motion a series of events that will eventually cost him his crown and his life.

The classic tragedy about the downfall of King Richard II is presented with critical commentary and historical background