Although the title makes it sound like a reference book, it is so much more than that. The style of writing is engaging and informative. The layout is attractive, with beautiful illustrations, photos, period paintings, quotes, and interesting inserts on every page. Wilkinson's history unfolds like a symphonic work with instrument makers, composers and virtuosic performers picking up these incredible creations and exposing their beauty and capability. To open it up is to be instantly hooked. -- Publishers Weekly The 400-year story of music told by the instruments that make an orchestra. The History of Music in Fifty Instruments outlines musical history in well-written nuggets of information. Profiling one instrument at a time, it describes the history of music since the 1700s, when orchestras first took the formal shape familiar to us. The concise text explains the role of each instrument in the orchestra and its importance in the development of music in general. The book lists the 50 instruments chronologically in the woodwind, brass, percussion and string sections of an orchestra. The classic instruments are included -- violin, cello, flute, oboe, clarinet, harp and more. Some instruments reflect the musical period or context in which they were most popular, such as the harpsichord in the Baroque period, and the snare drum in military parades. Among the unusual instruments is the otherworldly theremin. A wide range of modern and archival photographs and paintings show the instruments. Entries outline their historical and country origins and the era in which they were played (e.g. Classical, Modern). Annotated illustrations explain the instrument's construction, how it is played and tuned, and its musical range. Composers, musical compositions and musicians that highlight the particular instrument are examined. For example, Baroque composer Antonio Vivalidi's contribution to the violin; inventor Adolphe Sax's tenacious promotion of his saxophone in the 1840s; and 20th century pianist Glenn Gould's controversial recordings of Bach's Goldberg Variations. For musicians, teachers and students, and all who enjoy music, this book is a beautiful and informative tour of the orchestra and beyond.

Written by a distinguished musicologist, this comprehensive history of musical instruments traces their evolution from prehistoric times in a fusion of music, anthropology, and fine arts. Includes 24 plates and 167 illustrations.

A beautifully illustrated, totally engrossing celebration of the piano, and the composers and performers who have made it their own. With honed sensitivity and unquestioned expertise, Stuart Isacoff—pianist, critic, teacher, and author of Temperament: How Music Became a Battleground for the Great Minds of Western Civilization—unfolds the ongoing history and evolution of the piano and all its myriad wonders: how its very sound provides the basis for emotional expression and individual style, and why it has so powerfully entertained generation upon generation of listeners. He illuminates the groundbreaking music of Mozart, Beethoven, Liszt, Schumann, and Debussy. He analyzes the breathtaking techniques of Glenn Gould, Oscar Peterson, Vladimir Ashkenazy, Arthur Rubinstein, and Van Cliburn, and he gives musicians including Alfred Brendel, Murray Perahia, Menahem Pressler, and Vladimir Horowitz the opportunity to discuss their approaches. Isacoff delineates how classical music and jazz influenced each other as the uniquely American art form progressed from ragtime, novelty, stride, boogie, bebop, and beyond, through Scott Joplin, Fats Waller, Duke Ellington, Bill Evans, Thelonious Monk, Chick Corea, Herbie Hancock, Cecil Taylor, and Bill Charlap. A Natural History of the Piano distills a lifetime of research and passion into one brilliant narrative. We witness Mozart unveiling his monumental concertos in Vienna’s coffeehouses, using a special piano with one keyboard for the hands and another for the feet; European virtuoso Henri Herz entertaining rowdy miners during the California gold rush; Beethoven at his piano, conjuring healing angels to console a grieving mother who had lost her child; Liszt fainting in the arms of a page turner to spark an entire hall into hysterics. Here is the instrument in all its complexity and beauty. We learn of the incredible craftsmanship of a modern Steinway, the peculiarity of specialty pianos built for the Victorian household, the continuing innovation in keyboards including electronic ones. And most of all, we hear the music of the masters, from centuries ago and in our own age, brilliantly evoked and as marvelous as its most recent performance. With this wide-ranging volume, Isacoff gives us a must-have for music lovers, pianists, and the armchair musician.

Play It Loud celebrates the musical instruments that gave rock and roll its signature sound. Seven engrossing essays by veteran music journalists and scholars discuss the technical developments that fostered rock’s seductive riffs and driving rhythms; the evolution of the classic lineup of two guitars, bass, and drums; the thrilling innovations and expanded instrumentation musicians have explored to achieve unique effects; the powerful visual impact instruments have had; and the essential role they have played in the most memorable moments of rock and roll history. Abundant photographs depict rock’s most iconic instruments—including Jerry Lee Lewis’s baby grand piano, Chuck Berry’s Gibson ES-350T guitar, John Lennon’s twelve-string Rickenbacker 325, Keith Moon’s drum set, and the white Stratocaster Jimi Hendrix played at Woodstock—both in performance and as works of art in their own right. Produced in collaboration with the Rock and Roll Hall of Fame, this astounding book goes behind the music to offer a rare, in-depth look at the instruments that inspired the musicians and made possible the songs we know and love.

Evolution of trumpets, trombones, bugles, cornets, French horns, tubas, and other brass wind instruments. Indispensable resource for any brass player or music historian. Over 140 illustrations and 48 music examples.

Music at Hand shows how sound, action, and perception are connected in instrumental performance, asking how this integration affects listening, improvisation, and composition. Traversing disciplinary boundaries and diverse musical styles, this innovative book analyzes forms of musical experience that are both embodied and conditioned by technology.

Describes the orchestra and includes information on composers, instruments, and the conductor.