A beautifully designed introduction to art history by way of artworks that feature the mouse—from the ancient world to drawings by Picasso, Disney, and Art Spiegelman. Across centuries and civilizations, artists have used the mouse—the planet’s most common mammal after us—to illustrate our myths and beliefs. Mice have appeared as Japanese symbols of good luck or medieval emblems of evil, in Arab fables, Russian political satire and Nazi propaganda, as scientific tools and to help us challenge the way we see nature. With more than 80 rarely reproduced works—including paintings by Hieronymus Bosch and Gustav Klimt, a silkscreen by Andy Warhol, a print by Hokusai, a photograph by André Kertész, a sculpture by Claes Oldenburg, a video installation by Bruce Nauman, a performance by Joseph Beuys, and many more—Lorna Owen has created an engaging presentation of an extraordinary range. The pieces, which represent every period of visual art, are accompanied by Owen’s intriguing text about the story behind each work. She has combined her passion for art and her empathy for the unsung archetype of the animal kingdom to explain not only how or why the artist came to use the mouse as a subject, but how the art, in the end, reveals more about us than it could ever reveal about this humble creature.

In this his fourth collection, award-winning poet Kyle Dargan examines the mechanics of the heart and mind as they are weathered by loss. Following a spate of deaths among family and friends, Dargan chooses to present not color-negative elegies but self-portraits that capture what of these departed figures remains within him. Amid this processing of mortality, it becomes clear that he has arrived at a turning point as a writer and a man. As the title suggests, Dargan aspires toward an unflinching honesty. These poems do not purport to possess life's answers or seek to employ language to mask what they do not know. Dargan confesses as a means of reaching out to the nomadic human soul and inviting it to accompany him on a walk toward the unknown.

AFTER HOUSES is an extended meditation on homelessness. In unflinching, raw poetry, poet Claire Millikin explores states of homelessness, and a longing for, even a devotion to, houses—houses as spaces where one could be safe and at ease. The poems move through an American landscape, between the South and the North, between childhood and adulthood, reaching toward a home that’s never reached, but always at one’s fingertips. Throughout the collection, Millikin draws from personal and family history, from classical mythology and architectural theory, to shape a poetry of empathy, in which some of the places where people get lost in America are faced and given place. AFTER HOUSES echo the voices of girls who have not quite survived, but who persist, intact in the way that Rimbaud insists on intactness, in words.

Poetry. Literary Nonfiction. Poetry History & Criticism. Introduction by Nick Flynn. From 2010 to 2012, Guggenheim Fellow and award-winning poet Lisa Russ Spaar was the poetry editor for the Chronicle of Higher Education's Arts & Academe and Brainstorm blogs, where every Monday she regaled an ever-growing audience with a brief commentary on a poem of her choosing. This book collects the best of these memorable micro-essays, demonstrating how a well-wrought poem speaks to our rich cultural and spiritual life. As the title essay reveals, Spaar's own father believed that "poetry was out to trick him" and in this collection, encompassing a range of crucial poets from the formal to the experimental, Spaar gently and lovingly debunks that notion, showing us the vital place that contemporary poetry can have in the life of the mind. This is an enthralling book for poets and non-poets alike. "For people who are a bit wary of poetry, this is the perfect antidote: the poems are amazing, and so are Lisa Russ Spaar's short essays. There s a sense of clarity about everything here (not that things aren't complex; not that Lisa's analyses aren't fascinating constructs themselves, insightful and inspiring, though not intimidating.) I'd think anyone who cares about an inner reality that might be somehow communicated nailed; set free; amplified; questioned would embrace the chance to read poems that elucidate so much about the mind and the heart, and to understand better the urges embodied in the process of constructing a poem, which always speaks from its structure of restraint. I loved every minute of reading this book." Ann Beattie "Lisa Russ Spaar has an intense and generous spirit. She loves poetry and honors the people who read and write it. Reading her you remember once again that there's no such thing as a bad poem or a bad reader. Time will tell which ones are better and best. This book follows many roads, some less traveled than others and Lisa has a wonderful eye for the wildflowers elsewhere." Jerome McGann Contributors are Kazim Ali, Debra Allbery, Talvikki Ansel, Jennifer Atkinson, David Baker, Jill Bialosky, Suzanne Buffam, Jennifer Chang, Ye Chun, Michael Collier, Randall Couch, Stephen Cushman, Kate Daniels, Kyle Dargan, Claudia Emerson, Monica Ferrell, David Francis, Gabriel Fried, Alice Fulton, Rachel Hadas, Brenda Hillman, Edward Hirsch, Jane Hirshfield, Mark Jarman, Laura Kasischke, Jennifer Key, L. S. Klatt, Joanna Klink, Hank Lazer, Paul Legault, Willie Lin, Maurice Manning, Cate Marvin, Heather McHugh, Erika Meitner, Carol Muske-Dukes, Amy Newman, Meghan O'Rourke, Eric Pankey, Kiki Petrosino, Carl Phillips, John Poch, Bin Ramke, Srikanth Reddy, Michael Rutherglen, Mary Ann Samyn, Philip Schultz, Sarah Schweig, Allison Seay, Ravi Shankar, Ron Slate, R. T. Smith, Larissa Szporluk, Mary Szybist, Brian Teare, William Thompson, David Wojahn, and Charles Wright."

This is the seminannual Able Muse Review (Print Edition) - Summer 2015 issue, Number 19. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Muse print edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: EDITORIAL - Alexander Pepple. FEATURED ARTIST - Wayne Levin; (Interviewed by Sharon Passmore). FEATURED POET - Eric McHenry; (Interviewed by Cody Walker). FICTION - Linda Boroff, Richard Dokey, Michael Bradburn-Ruster, Zara Lisbon, Lane Kareska. ESSAYS - Catharine Savage Brosman, Kevin Durkin, Robert Earle, Eric Torgersen. BOOK REVIEWS - Reagan Upshaw. POETRY - Jay Rogoff, Meredith McCann, William Baer, Jan D. Hodge, Stephen Scaer, William Thompson, Martial, Susan McLean, Carrie Shipers, Maura Stanton, Stephen Gibson, Len Krisak, Glenn Freeman, Richard Cecil, Bruce Bennett, Julie Steiner, Eric Torgersen, Ed Shacklee.