Identifies the origins of Leonardo Da Vinci's 'Vitruvian man' human blueprint code with Stonehenge and the pyramid sites around the world. The author proves that Stonehenge has the same cosmic solution and that the pyramid layouts of the Maya, the Incas, the Khmer and many others around the world, all repeat the same star map theme.

Originally published: Glastonbury, Somerset, UK: Avalon Rising Publications, 2015.

THE ALPHA OMEGA TAURUS STAR GATEThis full color edition will interest both modern truth seekers and also those of a firm belief. Although it reveals the reality of those we call 'angels', it beckons the reader to keep an open mind as to how these 'angels' can be scientifically justified. In doing so, the new findings take the reader to a whole new level that verifies the benevolence of these visitors from above and all the sacred teachings about them. Exposing historical subject matter pertaining to both the paranormal and 'ancient alien' genre that has been deemed 'forbidden', this book brings to light some key prophecy breakthroughs encoded in the biblical Revelation; the discovery of real historical star gate devices; a cosmic address; and the probability of an imminent cosmic visitor event. It is a book that is anything but fiction!Due to the high-risk journey undergone in publishing 'The Hidden Records Chronicles' series, the author has deliberately opted for a less academic, far 'safer' New Age style in the presentation of the content rather than an academic one. Moreover, this publication has 'embedded' in it a very deep psychological spiritual inspiration that readers will experience acting deeply on the psyche - subconsciously lifting the veil to awaken one's consciousness.The year 2017 saw a massive chamber uncovered inside the Great Pyramid. What can we expect to find in it? How can we be sure what it is? The ancients have left a record of it... a 'device'... a star gate! The same year also marked the first ever sighting of a deep-space-origin cylindrical object passing through our solar system. The powers that be were persistent in trying to make it look like a comet but provided no answer as to how it could alter its speed. It was not a rock and the timing of it coincides with this book's new discoveries.The author's first book 'The Hidden Records' published in 2003 compellingly decodes secret symbols and ancient star maps in all ancient civilisations, shocking his readers with his very original Pleiades/Orion star-map star-visitor human origins theory identifying the 'x' that marks the spot. All facts considered; it boldly proposes that humanity originated from one of three sun-like stars near the Pleiades as an arrival. Defining the 'first time' for civilisation on Earth and replacing the doomed Neanderthal. Now with the launch of this 'end times' book, Wayne Herschel takes his established theories a notch higher. This new book begs the question: Are we actually in the 'end times', the end of a chaos period, beginning a new way forward and unveiling what might be an official prophesied 'first contact' event? The two enigmatic symbols of the Alpha and Omega reveal a message. And when compared to segments of the book of Revelation texts, the unthinkable is revealed by these symbols. A hidden world crisis is identified occurring right now, coinciding with an end time prophecy and the relevance of star gates, as well as a revival of the lost knowledge of the actual star gate devices!Readers get to go on a non-dramatized journey with a real symbologist using reasoning and logic, painstakingly decoding each clue previously deemed forbidden. Who would have imagined that the recent deep space object called Oumuamua and the discovery of Atlantis would be tied in with the star maps, the star gate and our amazing ancient-'alien' angelic-bloodline human past? It has 285 pages and detailed full-color graphics and images. There is also the means to access an online gateway with hyperlink-referenced links to free view extra content (limited offer for anyone who purchases the paperback).

From the Frank Stanford archives: unpublished poems, drafts, letters, and audio.

Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever