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Most accounts of California’s role in the Civil War focus on the northern part of the state, San Francisco in particular. In Los Angeles in Civil War Days, John W. Robinson looks to the southern half and offers an enlightening sketch of Los Angeles and its people, politics, and economic trends from 1860 to 1865. Drawing on contemporary reports in the Los AngelesStar,Southern News, and other sources, Robinson shows how the war came to Los Angeles and narrates the struggle between the pro-Southern faction and the Unionists. Los Angeles in the early 1860s was a developing town, lacking many of the refinements of civilization that San Francisco then enjoyed, and was much smaller than the bustling metropolis we know today. The book focuses on the effects of the war on Los Angeles, but Robinson also considers social and economic problems to provide a broader view of the community and its place in the nation. The Conscription Act and devalued greenbacks encited public unrest, and the cattle-killing drought of 1862–64, a smallpox epidemic, and recurrent vigilantism challenged Angelenos as well. California historians and those interested in the city’s historical record will find this book a fascinating addition to the body of California’s Civil War history.

Agness "Aggie" Underwood never intended to become a reporter-all she really wanted was a pair of silk stockings. When her husband told her they couldn't afford them, she threatened to get a job and buy them herself. Those silk stockings launched a career that started with Aggie at the switchboard of the Los Angeles Record newspaper in 1926, and ended more than four decades later when she retired as City Editor of the Los Angeles Herald Examiner. As a reporter for the Los Angeles Evening Herald and Express (later, Herald Examiner), Aggie not only reported on crimes throughout the city, but sometimes helped solve them. Using quick wit and intuition, Aggie helped her newspaper live up to its motto "The First with the Latest." Through the Los Angeles Herald Examiner's photo archive, now held by the Los Angeles Public Library, the cases Aggie covered are more than just faded headlines, but come to life in light and shadow. This catalog of nearly 100 images, which compliments an exhibit at the Los Angeles Public Library's Central Library gives a brief overview of Agness Underwood and some of the cases she covered.

Award for Best Research in the Field of Record Labels or Manufacturers from the Association for Recorded Sound CollectionsWinner of the Kenneth W. Baldridge Prize from the Phi Alpha Theta Honor Society, Hawaii Region Between the late nineteenth and mid-twentieth century, technology transformed the entertainment industry as much as it did such heavy industries as coal and steel. Among those most directly affected were musicians, who had to adapt to successive inventions and refinements in audio technology—from wax cylinders and gramophones to radio and sound films. In this groundbreaking study, James P. Kraft explores the intersection of sound technology, corporate power, and artistic labor during this disruptive period. Kraft begins in the late nineteenth century's "golden age" of musicians, when demand for skilled instrumentalists often exceeded supply, analyzing the conflicts in concert halls, nightclubs, recording studios, radio stations, and Hollywood studios as musicians began to compete not only against their local counterparts but also against highly skilled workers in national "entertainment factories." Kraft offers an illuminating case study in the impact of technology on industry and society—and a provocative chapter in the cultural history of America.