The remarkable monastery of Helfta was a 'place where learning and art, courtesy and holiness flowered in a dark season' of interregnal warfare.* The nuns drew their inspiration from the twin roots of Citeaux: the Rule of Saint Benedict and the constitutions of Citeaux; their spirituality, liturgy, customs, and habits were modelled on those of the White Monks, even though juridically they were not part of the Cistercian Order. Under the guidance of the thirteenth-century abbess Gertrud of Hackeborn, the nuns of Helfta steadfastly pursued learning and holiness. Among them were three outstanding women whose works have come down through the centuries: Mechtilde of Hackeborn, Mechtilde of Magdeburg, and the scholarly Gertrud the Great. Having entered monastic life at the age of five, Gertrud combined a deep knowledge of the Church Fathers and earlier medieval writers, an intimate familiarity with Scripture, and innate common sense. Her Spiritual Exercises—prayers, litanies, meditations, and hymns—articulate a spirituality that is both traditionally monastic and authentically, but unself-consciously, feminine. Hers is a mysticism of light and love, of humility and commitment, of freedom and discipline and—most of all—of joy. *M. Jeremy Finnegan OP, 'The Women of Helfta', Peace Weavers, Medieval Religious Women, 2:212. --

Introduces an English translation of the Book of Special Grace, a Latin mystical work composed by Mechthild of Hackeborn and her sisters at the convent of Helfta in the 1290s.

This book examines how the writings of the thirteenth-century nun Gertrude the Great of Helfta articulate an innovative relationship between a person's eucharistic devotion and her body. It attends to her references to the biblical, monastic, and theological traditions, including attitudes and ideas about the spiritual and corporeal senses, in order to illuminate the affirmative role Gertrude assigns to the body in making spiritual progress. Ultimately the book demonstrates that Gertrude leaves behind the dualistic aspect of the Christian intellectual and devotional tradition while exploiting its affirmative concepts of bodily forms of knowing divine union.

Angela of Foligno (c. 1248-1309) is one of the most outstanding representatives of the Franciscan and Christian mystical tradition. Her Book, published here in English for the first time, describes her passionate love affair with the "suffering God-man," and her teachings in the form of letters and exhortations to her spiritual progeny.

The fourteenth-century anchorite known as Julian of Norwich offered fervent prayers for a deeper understanding of Christ's passion. The holy woman's petitions were answered with a series of divine revelations that she called "shewings." Her mystic visions revealed Christ's sufferings with extreme intensity, but they also confirmed God's constant love for humanity and infinite capacity for forgiveness. Julian of Norwich's Revelations of Divine Love have had a lasting influence on Christian thought. Written in immediate, compelling terms, her experiences remain among the most original and accessible expressions of medieval mysticism. This edition contains both the short text, which is mainly an account of the shewings and Julian's initial analysis of their meaning, and the long text, completed some 20 years later and offering daringly speculative interpretations.

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