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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.

Greek slavery from Homer to the Persian wars -- From the Persian wars to Alexander : slave supply and slave numbers -- From the Persian wars to Alexander : slave employment and legal aspects of slavery -- From the Persian wars to Alexander : the social setting of polis slavery -- The eastern Mediterranean lands from Alexander to Augustus : the Delphic manumissions : slave origins, economic and legal approaches -- The eastern area from Alexander to Augustus : basic differences between pre-Greek and Greek slavery -- Slavery in Hellenistic Egypt : pharaonic tradition and Greek intrusions -- War and slavery in the West to 146 B.C. -- The Roman republic : praedial slavery, piracy, and slave revolts -- The later republic : the slave and the Roman familia -- The later republic : social and legal position of slaves -- Slavery under the Roman empire to Constantine the Great : sources and numbers of slaves -- The Roman Empire in the West : economic aspects of slavery -- Slavery under the Roman Empire : the provenance of slaves, how sold and prices paid -- The Roman Empire : living conditions and social life of slaves -- Imperial slaves and freedmen of the emperors : amelioration of slavery -- The moral implications of imperial slavery and the "decline" of ancient culture -- In the eastern provinces of the Roman Empire -- From Diocletian to Justinian : problems os slavery -- From Diocletian to Justinian : the eastern and the western developments -- From Diocletian to Justinian : leveling of position between free workers and slaves -- Upon slavery and Christianity -- Conclusion.

This collection attempts to recover the voices of women in antiquity from a variety of perspectives: how they spoke, where they could be heard, and how their speech was adopted in literature and public discourse. Rather than confirming the old model of binary oppositions in which women's speech was viewed as insignificant and subordinate to male discourse, these essays reveal a dynamic and potentially explosive interrelation between women's speech and the realm of literary production, religion, and oratory. The contributors use a variety of methodologies to mine a diverse array of sources, from Homeric epic to fictional letters of the second sophistic period and from actual letters written by women in Hellenistic Egypt to the poetry of Sappho. Throughout, the term "voice" is used in its broadest definition. It includes not only the few remaining genuine women's voices but also the ways in which male authors render women's speech and the social assumptions such representations reflect and reinforce. These essays therefore explore how fictional female voices can serve to negotiate complex social, epistemological, and aesthetic issues. The contributors include Josine Blok, Raffaella Cribiore, Michael Gagarin, Mark Griffith, André Lardinois, Richard Martin, Lisa Maurizio, Laura McClure, D. M. O'Higgins, Patricia Rosenmeyer, Marilyn Skinner, Eva Stehle, and Nancy Worman.