More haunting tales of Ghosts, Aliens, Science Fiction, Western, Zombies, Headless Ghosts, Haunted Graveyards, Urban Legends, Curses and Vampires.

DIVA circus owner’s murder produces a roster of bizarre suspects /divDIV/divDIVSummer heat is choking New York, and the Great Merlini—conjurer, sleuth, and godson of P. T. Barnum—offers his friend Ross Harte a chance to get out of town. Before they can depart for the annual convention of the Society of American Magicians, a nervous woman enters Merlini’s shop, begging to purchase his most popular illusion: the headless lady. When the magician refuses to sell his last copy, she steals it./divDIV /divDIVShe is the daughter of Major Hannum, a recently deceased circus magnate whose death may not have been an accident. Somewhere among the carnies, barkers, and freaks lurks a killer, and only Merlini can save the carnival from further bloodshed. The killer’s plot is as sly as a funhouse mirror, but no detective is more at home in a world where nothing is what it seems./div

Paintings and their corresponding studies are reproduced in this survey of the artist’s work from 2011 to 2017. An interpretive poem, Blank Melody, by poet Charity Coleman serves as the book’s introduction. An essay by curator Jeff De Blois, titled Never Converge Into a Whole, examines art historical references and conceptual influences. Large reproductions and a pared down design reflect the artist’s illustrational style throughout this body of work.

When the four Stanley children meet Amanda, their new stepsister, they’re amazed to learn that she studies witchcraft. They’re stunned to see her dressed in a strange costume, carrying a pet crow and surrounded by a pile of books about the supernatural. It’s not long before Amanda promises to give witchcraft lessons to David, Jamie, and the twins. But that’s when strange things start happening in their old house. David suspects Amanda of causing mischief, until they learn that the house really was haunted long ago. Legend has it that a ghost cut the head off of a wooden cupid on the stairway. Has the ghost returned to strike again?

The Hundred Headless Woman is Ernst's first collage novel. It features a loosely narrative sequence of uncanny Surrealist collages, made by cutting up and reassembling nineteenth-century illustrations, accompanied by Ernst's equally strange captions. Ernst's French title, La Femme 100 têtes, is a double entendre; when read aloud it can be understood as either "the hundred-headed woman" or "the headless woman." Along with this enigmatic title character, the book marks the introduction of Ernst's favorite alter ego, Loplop, "the Bird Superior." Ernst was deeply engaged with illustrated books during the 1930s; in addition to collage novels, he created many etchings and lithographs to complement the poems and stories of Surrealist writers with whom he was closely associated.

Now back in print for the first time since 1969, a stunning novel about childhood, marriage, and divorce by one of the most interesting minds of the twentieth century. Dream and reality overlap in Divorcing, a book in which divorce is not just a question of a broken marriage but names a rift that runs right through the inner and outer worlds of Sophie Blind, its brilliant but desperate protagonist. Can the rift be mended? Perhaps in the form of a novel, one that goes back from present-day New York to Sophie’s childhood in pre–World War II Budapest, that revisits the divorce between her Freudian father and her fickle mother, and finds a place for a host of further tensions and contradictions in her present life. The question that haunts Divorcing, however, is whether any novel can be fleet and bitter and true and light enough to gather up all the darkness of a given life. Susan Taubes’s startlingly original novel was published in 1969 but largely ignored at the time; after the author’s tragic early death, it was forgotten. Its republication presents a chance to discover a splintered, glancing, caustic, and lyrical work by a dazzlingly intense and inventive writer.