Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

Twelve-year-old Malik Jackson is afraid of the dark, so he is reluctant to join his friend, Ian, in an exploration of an abandoned mansion on the night before Halloween, but he agrees to the adventure because a girl he likes is going--but he soon realizes that it is not the dark he needs to be afraid of, it is the things that are hiding inside the dark.

Hellboy Investigates a hidden cellar and discovers his own uncanny connection to the spirits within ... a young boy leads friends and family alike into an abandoned house from which no one ever leaves ... and an unprecedented fisticuffs ensues between a world traveler and the ancient spirit of an English mansion ... These ghostly stories and more await you within The Dark Horse Book of Hauntings, a collection of original short horror stories by an award-winning lineup of comics' top talent.

ONE OF ENTERTAINMENT WEEKLY'S "BIGGEST AND BEST YA BOOKS OF THE SUMMER" From Danielle Vega, YA's answer to Stephen King, comes a new paranormal novel about dark family secrets, deep-seated vengeance, and the horrifying truth that evil often lurks in the unlikeliest of places. Clean slate. That's what Hendricks Becker-O'Malley's parents said when they moved their family to the tiny town of Drearfield, New York. Hendricks wants to lay low and forget her dark, traumatic past. Forget him. But things don't go as planned. Hendricks learns from new friends at school that Steele House--the fixer upper her parents are so excited about--is notorious in town. Local legend says it's haunted. But Hendricks isn't sure if it's the demons of her past haunting her ...or of the present. Voices whisper in her ear as she lays in bed. Doors lock on their own. And, then, one night, things take a violent turn. With help from the mysterious boy next door, Hendricks makes it her mission to take down the ghosts . . . if they don't take her first.

· What unspeakable horror glimpsed in the basement of a private library in West Yorkshire drove a man to madness and an early grave? · What led to an underground echo chamber in a Manchester recording studio being sealed up for good? · What creature walks the endless sands of Lancashire's Fleetwood Bay, and what connects it to an unmanned craft washed ashore in Port Elizabeth, nearly six thousand miles away? In 2009 Jeremy Dyson was contacted by a journalist wanting help bringing together accounts of true life ghost stories from across the British Isles. The Haunted Book chronicles the journey Dyson, formerly a hardened sceptic, went on to uncover the truth behind these tales.