Upon initial publication in 1956, this book was an attempt to re-state certain problems concerning the aesthetics and ethics of the tragic form; to examine these in relation to contemporary work in psychology and anthropology; to enquire into the significance of 'the fact or experience called tragedy' in the modern world; and to suggest a synthesis in terms of the Christian tradition. This is a reissue of the corrected second edition of the work, first published in 1966.

Upon initial publication in 1956, this book was an attempt to re-state certain problems concerning the aesthetics and ethics of the tragic form; to examine these in relation to contemporary work in psychology and anthropology; to enquire into the significance of ‘the fact or experience called tragedy’ in the modern world; and to suggest a synthesis in terms of the Christian tradition. This is a reissue of the corrected second edition of the work, first published in 1966.

Chronicles the events of 1929 to 1933 in the Ukraine when Stalin's Soviet Communist Party killed or deported millions of peasants; abolished privately held land and forced the remaining peasantry into "collective" farms; and inflicted impossible grain quotas on the peasants that resulted in mass starvation.

"Designed to be an invaluable aid to the activists, farmers, policy makers and consumers fighting for a more sustainable food system."--Cover.

On a September day in 1983, debt-ridden Minnesota farmer Jim Jenkins gunned down the Buffalo Ridge Bank officials who had repossessed his farm, and three days later took his own life. Dan Rather of CBS News calls this "an important book", which "runs through your emotions like a combine". Serialized in the New York Times Magazine, this true crime story will be seen on CBS-TV as a mini-series this spring.

Karen Coates and Jerry Redfern spent more than seven years traveling in Laos, talking to farmers, scrap-metal hunters, people who make and use tools from UXO, people who hunt for death beneath the earth and render it harmless. With their words and photographs, they reveal the beauty of Laos, the strength of Laotians, and the commitment of bomb-disposal teams. People take precedence in this account, which is deeply personal without ever becoming a polemic.