Far from being a measure of progress or humanitarian aid, Indian welfare policy in Canada was used deliberately to oppress and marginalize First Nations peoples and to foster their assimilation into the dominant society. 'Enough to Keep Them Alive' explores the history of the development and administration of social assistance policies on Indian reserves in Canada from confederation to the modern period, demonstrating a continuity of policy with roots in the pre-confederation practices of fur trading companies. Extensive archival evidence from the Indian Affairs record group at the National Archives of Canada is supplemented for the post-World War Two era by interviews with some of the key federal players. More than just an historical narrative, the book presents a critical analysis with a clear theoretical focus drawing on colonial and post-colonial theory, social theory, and critiques of liberalism and liberal democracy.

"[A] lucid discussion of race that does not sell out the black experience." -- Tommy Lott, author of The Invention of Race Revealing Whiteness explores how white privilege operates as an unseen, invisible, and unquestioned norm in society today. In this personal and selfsearching book, Shannon Sullivan interrogates her own whiteness and how being white has affected her. By looking closely at the subtleties of white domination, she issues a call for other white people to own up to their unspoken privilege and confront environments that condone or perpetuate it. Sullivan's theorizing about race and privilege draws on American pragmatism, psychology, race theory, and feminist thought. As it articulates a way to live beyond the barriers that white privilege has created, this book offers readers a clear and honest confrontation with a trenchant and vexing concern.

The Encyclopedia of Hell is a comprehensive survey of the underworld, drawing information from cultures around the globe and eras throughout history. Organized in a simple-to-use alphabetic format, entries cover representations of the dark realm of the dead in mythology, religion, works of art, opera, literature, theater, music, film, and television. Sources include African legends, Native American stories, Asian folktales, and other more obscure references, in addition to familiar infernal chronicles from Western lore. The result is a catalog of underworld data, with entries running the gamut from descriptions of grisly pits of torture to humorous cartoons lampooning the everlasting abyss. Its extensive cross-referencing also supplies links between various concepts and characters from the netherworld and provides further information on particular theories. Peruse these pages and find out for yourself what history's greatest imaginations have envisioned awaiting the wicked on the other side of the grave.

A Hunter's Confession tells the story of hunting in David Carpenter's life, including the reasons he once loved it and the reasons he no longer pursues it. When he was a boy, Carpenter and his father and brother would head out along the side roads and into the prairie marshlands searching for duck, grouse, and partridge. As a young man, he began skulking around the bushes with his hunting buddies and trudging through groves of larch, alpine fir, and willow in search of elk. Later, hunting became a form of therapy, a way to ward off melancholy and depression. In the end, as a result of a dramatic experience after shooting a grouse, Carpenter gave up hunting for good. Winding through this personal narrative is Carpenter's exploration of the history of hunting, subsistence hunting versus hunting for sport, trophy hunting, and the meaning of the hunt for those who have written about it most eloquently. Are wild creatures somehow our property? How is the sport hunter different from the hunter who must kill game to survive? Is there some sort of bridge that might connect aboriginal hunters to non-aboriginal hunters? Why do many hunters feel most fully alive when they