This book focuses on British efforts to suppress the traffic in female slaves destined for Egyptian harems during the late-nineteenth century. It considers this campaign in relation to gender debates in England, and examines the ways in which the assumptions and dominant imperialist discourses of these abolitionists were challenged by the newly-established Muslim communities in England, as well as by English people who converted to or were sympathetic with Islam. While previous scholars have treated antislavery activity in Egypt first and foremost as an extension of earlier efforts to abolish plantation slavery in the New World, this book considers it in terms of encounters with Islam during a period which it argues marked a new departure in Anglo-Muslim relations. This approach illuminates the role of Islam in the creation of English national identities within the global cultural system of the British Empire. This book would appeal to those with an interest in British imperial history; Islam; gender, feminism, and women’s studies; slavery and race; the formation of national identities; global processes; Orientalism; and Middle Eastern studies.

Lord Demir has spent his life trying to appease a brutal, selfish king, and keep the concubines under his care alive—and now he is on the verge of losing everything. The council wants to abolish the harems, there are no heirs to the throne, and the foreigners control the Steward. One wrong move will tip tensions into civil war. Crown Prince Ihsan returns to find his home in turmoil, and the royal court so full of vipers it's impossible to say which of them will strike first. Removing his father from the throne, one way or another, should be a simple matter. Staying alive and proving himself a worthy king will be far more difficult. Crown Princess Euren has spent the last five years in hiding so that she could not be used against her father or Ihsan. But she is the daughter of a soldier, never meant to wear a crown, never trained to fight battles where words are the weapon of choice. If she hopes to keep herself and her loved ones alive, she'll have to learn fast.

This survey features photographs and floor plans of Topkapi Palace as well as profiles of the harem's women, their eunuch guards, and court manners, dress, and politics. 42 black-and-white illustrations.

Melek Hanim [1814-1873] met Kibrisli Mehmed Pasha, in Paris, and they were married upon returning to Istanbul. She accompanied him to various postings in Palestine and Serbia, and shared with him the frustrations of the arbitrary periodic dismissals that characterized late Ottoman politics. Her sensationalist account of life in Turkey contains details of political intrigue and corruption, and demonstrates the influence and mobility available to women in the official households of the Ottoman elite. During Mehmed Pasha's absence, Melek Hanim concocted a plan to replace her sickly son with another child in the event of his expected death. Although her own son survived, one of her co-conspirators killed another, and the ensuing scandal resulted in her divorce. She spent the rest of her life trying to exact vengeance upon her ex-husband and attempting to gain access to property she viewed as legitimately her own. After several setbacks, she and two of her children finally fled to Paris. Thirty Years in the Harem, was written during her impoverished exile there, and is highly critical of Islam and of Ottoman society. Her vitriolic account is seen by some as proof of Ottoman women's political influence, and by others as self-serving and scandalous.

The unprecedented political power of the Ottoman imperial harem in the sixteenth and seventeenth centuries is widely viewed as illegitimate and corrupting. This book examines the sources of royal women's power and assesses the reactions of contemporaries, which ranged from loyal devotion to armed opposition. By examining political action in the context of household networks, Leslie Peirce demonstrates that female power was a logical, indeed an intended, consequence of political structures. Royal women were custodians of sovereign power, training their sons in its use and exercising it directly as regents when necessary. Furthermore, they played central roles in the public culture of sovereignty--royal ceremonial, monumental building, and patronage of artistic production. The Imperial Harem argues that the exercise of political power was tied to definitions of sexuality. Within the dynasty, the hierarchy of female power, like the hierarchy of male power, reflected the broader society's control for social control of the sexually active.

The Secrets of the Harem is an anonymous insider view on historical Turkish harems. Excerpt: "Many people have an idea that Turkish women absolutely do nothing that is either useful or ornamental aside from the decoration of their own persons, but that is not altogether true, as my residence of over a year in their country taught me, for they are really dextrous with the needle and do work which is as fine as that done by the sisters in the convents, or that of the wives of the feudal noblemen of olden times. The favorite pastime of the Turkish women is the bath, which brings together the wives and slaves of all the well-to-do Turks, and it is like a picnic of school children. These wives, most of them very young—some, indeed, not over twelve or fourteen years old—take their lunch along, and they eat and steam, plunge and splash, and play pranks upon each other in the wildest glee the whole day long. No fear of an angry husband haunts their minds, for they are not expected to do anything, and their husbands very rarely enter the harems before six o'clock. By this time they are all back, rosy and sweet from their bath."