Since the creation of the standing army in 1661, when each regiment was known by the name of its current colonel, there have been many reforms and rationalizations of the British army. From 31 cavalry regiments and 113 infantry regiments in 1881, at the time of this title’s first publication in 1988, the army had reduced to just 16 regiments of armour and 39 regiments of infantry through processes of absorption and amalgamation. The Handbook of British Regiments provides insight into the lineage and history of the approximately 85 regiments and corps which formed the British army towards the end of the 1980s. Comprehensive in coverage, each has a separate entry giving factual details in a layout standardized for easy comparison, including current title, colonel-in-chief, uniform and history, amongst others. A key title amongst Routledge reference reissues, this handbook provides an accessible guide to specialists as well as lay enthusiasts, and illustrates a sense of the continuity and inherited tradition of each regiment and corps.

Since the creation of the standing army in 1661, when each regiment was known by the name of its current colonel, there have been many reforms and rationalizations of the British army. From 31 cavalry regiments and 113 infantry regiments in 1881, at the time of this title’s first publication in 1988, the army had reduced to just 16 regiments of armour and 39 regiments of infantry through processes of absorption and amalgamation. The Handbook of British Regiments provides insight into the lineage and history of the approximately 85 regiments and corps which formed the British army towards the end of the 1980s. Comprehensive in coverage, each has a separate entry giving factual details in a layout standardized for easy comparison, including current title, colonel-in-chief, uniform and history, amongst others. A key title amongst Routledge reference reissues, this handbook provides an accessible guide to specialists as well as lay enthusiasts, and illustrates a sense of the continuity and inherited tradition of each regiment and corps.

Australia is the planet’s sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how the fluctuating definition of the island continent throws new light on the relationship between islands and continents in the mapping of modernity. The book links the historical and geographical conditions of islands with their potent role in the imaginaries of European colonisation. It prises apart the tangled web of geography, fantasy, desire and writing that has framed the Western understanding of islands, both their real and material conditions and their symbolic power, from antiquity into globalised modernity. The book also traces how this spatial imaginary has shaped the modern 'man' who is imagined as being the island's mirror. The inter-relationship of the island fantasy, colonial expansion, and the literary construction of place and history, created a new 'man': the dislocated and alienated subject of post-colonial modernity. This book looks at the contradictory images of islands, from the allure of the desert island as a paradise where the world can be made anew to their roles as prisons, as these ideas are made concrete at moments of British colonialism. It also considers alternatives to viewing islands as objects of possession in the archipelagic visions of island theorists and writers. It compares the European understandings of the first and last of the new worlds, the Caribbean archipelago and the Australian island continent, to calibrate the different ways these disparate geographies unifed and fractured the concept of the planetary globe. In particular it examines the role of the island in this process, specifically its capacity to figure a 'graspable globe' in the mind. The book draws on the colonial archive and ranges across Australian literature from the first novel written and published in Australia (by a convict on the island of Tasmania) to both the ancient dreaming and the burgeoning literature of Aboriginal and Torres Strait Islanders in the twenty-first century. It discusses Australian literature in an international context, drawing on the long traditions of literary islands across a range of cultures. The book's approach is theoretical and engages with contemporary philosophy, which uses the island and the archipleago as a key metaphor. It is also historicist and includes considerable original historical research.

A world list of books in the English language.

The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.