Correspondence of Lady Eleanor Butler and Caroline Hamilton.

The Ladies of Llangollen is the first book length critical study of Lady Eleanor Butler and Miss Sarah Ponsonby, whose 1778 elopement and five decades of “retirement” turned them into eighteenth century celebrities and pivotal figures in the historiography of female same-sex desire. Debates within the history of sexuality have long foundered over questions of what constitutes “proof” of past sexual desires and practices, and the nature of Butler and Ponsonby’s intimacy has been deemed inimical to productive critical consideration. In this ground-breaking study Fiona Brideoake attends to the archive of their shared life—written, performed, and enacted in the vernacular of the everyday—to argue that they embodied an early iteration of female celebrity in which their queerness registered less as the mark of some specified non-normativity than as the effect of their very public, very visible resistance to sexual legibility. Throughout their lives and afterlives, Butler and Ponsonby have been figured as chaste romantic friends, prototypical lesbians, Bluestockings, Romantic domestic archetypes, and proleptically feminist modernists. The Ladies of Langollen demonstrates that this heterogeneous legacy discloses the queerness of their performatively instantiated identities.

H. V. Morton's famous and much-loved travelogue of Wales. Singularly susceptible to Celtic romance and history, H. V. Morton goes in search of Wales, and finds equal delight in climbing Snowdon (inclement weather aside) and going down a coal mine. Bustling with intriguing local stories and characters, Morton's fascinating account reaches from the scenic grandeur of the north to the domestic beauty of the industrial south. In the Vale of Clwyd it rains "with grim enthusiasm," while at the Eisteddfod in Bangor, he is "slightly worried by the trousers of bard and druid, which are visible for a few inches below their gowns. Father Christmas has this same trouble with his trousers." Anecdotal, leisurely, full of character and event, insight, and opinion, this is travel writing of the very highest order.

This groundbreaking critical anthology gathers together a wide range of primary source material on lesbian lives in the past. The material here is drawn from a diverse range of sources, including court records, newspaper reports, literary sources, writings on lesbianism from psychologists, doctors, anthropologists, as well as personal letters and journals. The sources are arranged into thematic chapters, covering topics such as archetypes of lesbians - cross-dressing women and romantic friends, the making of lesbianism in culture, professional discourse on lesbians, public perceptions of lesbianism and women's own experiences. This book will be a milestone in the publishing of lesbian history, and is set to provoke the impetus for fresh research.

As millions of viewers across the globe thrill to the assembly room exploits of the Bridgerton family and wait with bated breath for Lady Whistledown’s latest dispatch from Almack’s, scandal has never been so delicious. In a world where appearances were everything and gossip was currency, everyone had their price. From a divorce case that hinged on a public demonstration of masturbation to the irresistible exploits of the New Female Coterie, via the Prince Regent’s dropped drawers and Lady Hamilton’s diaphanous unmentionables, The Real Bridgerton pulls back the sheets on the eighteenth century’s most outrageous scandals. Within these pages Lord Byron meets his match, the richest commoner in England falls for a swindler with a heart of stone, and forbidden love between half-siblings leaves a wife and her children reeling. Behind the headlines and the breathless whispers in Regency ballrooms were real people living real lives in a tumultuous, unforgiving era. The fall from the very pinnacle of society to the gutter could be as quick as it was brutal. If you thought that Bridgerton was as shocking as the Georgians got, it’s time to think again.

First Published in 1965. Routledge is an imprint of Taylor & Francis, an informa company.

What might the author of Mrs. Dalloway and A Room of One's Own have in common with the author of the Claudine series and The Pure and the Impure? Resisting long-held interpretations that Colette and Virginia Woolf had little in common, Southworth shows here the links between the two famous writers, both real and imagined. Often cast in their diametrically opposed roles of elitist bluestocking and risque music hall performer, critics have overlooked the many ways in which the lives and works of Woolf and Colette intersect. This study provides a broad-ranging introduction to the biographical, stylistic, and thematic ties that link the lives and works of Britain's and France's first ladies of letters of the early twentieth century. Situating the two writers within an international network of artists and literati, including Jacques-Emile Blanche, Radclyffe Hall and Una Troubridge. Winnie de Polignac, Gisele Freund, Sylvia Beach and Adrienne Monnier, Vita Sackville-West and Violet Trefusis, this study complicates conceptions of the differences--national, sexual, cultural, and intellectual--which have kept these two women apart by placing these same differences at its center. Southworth develops work already undertaken on Woolf's contacts with France and adds to the body of comparative work on Woolf and her contemporaries. This study also highlights as yet unexplored connections between Colette and her British and American peers. Southworth's book makes a significant contribution to gay and lesbian studies and the study of modernist culture. It also demonstrates the potential of social network theory for literary studies.