Collects Absolute Carnage: Scream (2019) #1-3, Absolute Carnage: Separation Anxiety (2019) #1. The return of a classic symbiote - and it'll be a Scream! Years ago, Patricia Robertson was unwillingly bonded to the clone of Venom that eventually became Mania - and she's been living in fear of symbiotes ever since. But she's also been living with a secret - and with the coming of Carnage, she must take a stand. Patricia will have no choice but to confront her demons head-on - by harnessing the power of Scream! She may think she knows symbiotes, but nothing can prepare her for Knull! Plus: Since the conclusion of DEADPOOL VS. CARNAGE, four of the five Life Foundation symbiotes - Riot, Phage, Agony and Lasher - have been bonded to a stray dog wandering the Midwest. But as Carnage descends on New York, the siren song of Knull is calling!

The serial-killing symbiote's sadistic spree starts here! As if Venom wasn't lethal enough, imagine what would happen if his symbiotic "other" had been joined to a murderous psychopath? That's where Cletus Kasady comes in, as Venom's symbiotic spawn transforms him into Carnage, Spider-Man's sickest foe! Killing on a whim, Carnage is a painful, twisted thorn in the sides of Peter Parker, Ben Reilly, Venom...even the Silver Surfer! COLLECTING: AMAZING SPIDER-MAN (1963) #361-363, #410, #430-431; VENOM: CARNAGE UNLEASHED #1-4; CARNAGE: MIND BOMB; CARNAGE: IT'S A WONDERFUL LIFE; SENSATIONAL SPIDER-MAN (1996) #3; SPIDER-MAN (1990) #67; SPECTACULAR SPIDER-MAN (1976) #233; PETER PARKER: SPIDER-MAN (1999) #13; WEBSPINNERS: TALES OF SPIDER-MAN #13-14.

Carnage, the spawn of Venom, has assembled an army of Spider-Man's criminally insane adversaries to spread his message of hostility, chaos and wholesale slaughter: Carrion, Demogoblin, Shriek and the Spider-Man Doppelganger! Outmanned and overpowered, the wall-crawler must recruit his own band of super-beings to combat the rising tide of evil: Black Cat, Cloak & Dagger, Firestar, Captain America, Deathlok and ... Venom?! Spider-Man's worst enemy becomes his uneasy ally in the battle to halt Carnage's mad rampage. But when he finds himself at odds with a number of his allies, who want to finish Carnage and his cronies once and for all, Spider-Man must decide whether to violate his personal code of honor to rid the world of pure evil. Can the web-slinger find an alternative before it's too late? Either choice carries dire consequences! Collects Amazing Spider-Man (1963) #378-380, Spider-Man: Unlimited (1993) #1-2, Spectacular Spider-Man (1976) #201-203, Web of Spider-Man (1985) #101-103, Spider-Man (1990) #35-37.

First there was Spider-Man. then, Venom. but they broke the mold when they created Carnage. Marvel's fan-favorite villain is back from the dead, as industrialist Michael Hall attempts to exploit the symbiote - engineering the next generation of prosthetic limbs and outfitting his own paramilitary security force, the Iron Rangers, in suits of hybrid battle armor. but when the alien intelligence asserts control of Hall's derivative tech, only Spider-Man and Iron Man stand in the way of an unprecedented wave of rioting and mass murder. And Carnage has brought some friends! COLLECTING: CARNAGE 1-5

Presents the adventures of Spider-Man as he teams up with Falcon, Firestar, Iceman, the Silver Surfer, and Iron Man to stop a number of different villains.

These woods are dark and full of monsters... In 1991, hell was unleashed upon Saint Christopher's Summer Camp for Kids. The killers left behind piles of bodies and rivers of blood. Some say a family of inbred cannibals was responsible. A masked psychopath with a butcher's knife is another popular theory. Some still believe a camp counselor lost his mind and went crazy on everyone with an axe. But there's also the mysterious, derelict factory that sits nearby, atop Kill Hill. A place where urban legends are manufactured, the grotesque and bizarre. Twenty-five years later, the factory on Kill Hill is still said to be operational, but no one can get near it. It's safely guarded along with the secrets within. But there are a few loose strings and hitman Frank Harmon has been sent to tie them up. His kill list is short, but the night is long and full of unspeakable horrors. With the help of a few college students on an impromptu camping adventure, Frank must contain the mess at Kill Hill before it spreads to the neighboring towns. Before it infects the entire country. Before it invades the entire world. From the fantastical, high-octane mind of Tim Meyer, author of Sharkwater Beach and In the House of Mirrors, comes his most frightening tale yet! Summer camp this year is at your own risk.

A lively and reliable narrative account of the horror genre, featuring new and revised material throughout The Horror Film: An Introduction surveys the history, development, and social impact of the genre. Covering American horror cinema from its earliest period to the present, this reader-friendly volume explores the many ways horror movies have been received by filmmakers, critics, and general audiences throughout the decades. Concise, easily accessible chapters describe historical instances of the genre's social reception based on primary research, analyze landmark films such as Frankenstein, Invasion of the Body Snatchers, and The Texas Chain Saw Massacre, and more. Incorporating recent scholarship on the genre, the second edition of The Horror Film contains new discussion and context for Hollywood horror films in the 1980s and 1990s, as well as notable developments in the genre such as “torture porn,” found-footage horror, remakes and reboots of past horror films, zombies, and the “elevated horror” debate. This edition explores the rise of new filmmakers such as Ari Aster, Robert Eggers, and Jordan Peele, surveys horror films made by women and African American filmmakers, and investigates contemporary issues in the production and consumption of horror films. Combining historical narrative with close readings of significant works, The Horror Film: Covers major works in the genre such as Cat People, Halloween, and Bram Stoker's Dracula Examines important antecedents including gothic literature and the Grand Guignol Theater Offers thorough analyses of the style, context, and themes of specific horror milestones Provides examples of close analysis that can be applied to a wide range of other horror films Discusses important representative titles across the genre's evolution, including more recent films such as 2017's Get Out The Horror Film: An Introduction, Second Edition, is an ideal textbook for undergraduate surveys of the horror genre and other courses in American film history, and an invaluable resource for scholars, lecturers, and general readers with an interest in the subject.