(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.

What makes the newly-released The Guitar Book: Volume 1 different? More often than not, traditional chord "dictionaries" go for quantity over quality. You know the ones--they gleefully proclaim to have "over 2,500 chords inside!" The problem is, many of these chord shapes sound awful, are too difficult to play, or both. Enter The Guitar Book: Volume 1! Covering nearly 100 pages, Volume 1 contains an abundance of easy-to-play chord shapes. Inside this book you will find: *150+ Arpeggios *100+ Open Chords *100+ Movable Chords *Major Chords *Minor Chords *Dominant Chords *Diminished Chords *Augmented Chords Chock-full of useful information, including hundreds of common, practical, and great-sounding guitar chords and arpeggios, Volume 1 can help you quickly learn all of the chords and arpeggios you need to know for guitar. Plus, get FREE access to instant audio downloads from Troy's website, troynelsonmusic.com. All of the material is presented in easy-to-understand fretboard diagrams and tab, making learning fast and fun! Author Troy Nelson has been playing guitar for over 30 years and has a passion for helping others learn to love the guitar as much as he does. From the author of the 10-year bestseller Guitar Aerobics (Hal Leonard), Troy Nelson once again brings his easy-to-follow guitar teaching style to this helpful guitar resource handbook. Free shipping with Amazon Prime. Buy it now in paperback or Kindle books! Also available: The Guitar Book: Volume 2 - The Ultimate Resource for Discovering New Guitar Scales, Exercises, and Licks! About Troy Nelson: Troy Nelson is the former Editor of top guitar magazines Guitar One (sister publication of Guitar World) and Guitar Edge. After earning a degree in Occupational Music, Nelson launched his music editing career at Hal Leonard Corporation, the world's largest print music publisher. Here's what others have to say about guitar lesson book author Troy Nelson: "Troy Nelson, guitar god." - Amazon reviewer "I'm a total fan of Troy's books and method of learning." - Amazon reviewer "Troy Nelson, former editor of my favorite guitar magazines." - Amazon reviewer "His brilliance is his ability to break the project down into practical, bite-sized daily medicine and, at the same time, add a nice flavor to the dose." - Amazon Reviewer, Fretboard Freedom "I must say, I have noticed a big improvement in my playing. My wife no longer tells me to turn it down or off." - Amazon Reviewer, Guitar Aerobics "Another winner from Troy Nelson." - Amazon reviewer, Rhythm Guitar 365 "I LOVE this book. It's my first purchase from Troy Nelson, and it's got me interested in his other books" - Amazon reviewer, One-Man Guitar Jam

(String Letter Publishing). Acoustic guitarists can now better understand their instruments, preserve and protect their value, and get the sounds they really want, thanks to this new book from the experts at Acoustic Guitar magazine. This indispensable guide begins by acquainting players with their instruments and laying to rest some pervasive guitar myths, then proceeds through various aspects of basic care, setup, common repairs, and pickup installation. Whether it's cleaning and polishing a beloved guitar, protecting it from theft or changes in humidity, selecting a case, or performing diagnostics, readers will become more savvy acoustic guitar owners and repair-shop customers and can forego dubious advice from well-meaning friends and anonymous "experts" on the Web. Includes a primer and glossary of terms.

An illustrated guide to over 450 different guitars, from early acoustics to the latest electrics.

The full eBook version of Bert Weedon's Play in a Day in fixed-layout format. Play in a Day remains the world's most successful guitar tutor. It is as much a legend as the stars who've learnt from it - Eric Clapton, Mike Oldfield, Paul McCartney, Steve Hillage, George Harrison, John Lennon, Sting, Brian May, Pete Townshend and dozens more. Play in a Day is easy to use, inexpensive and can help to turn you into a legendary performer too.

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.