Written by an L. A. County homicide detective and former atheist, Cold-Case Christianity examines the claims of the New Testament using the skills and strategies of a hard-to-convince criminal investigator. Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity. A unique apologetic that speaks to readers’ intense interest in detective stories, Cold-Case Christianity inspires readers to have confidence in Christ as it prepares them to articulate the case for Christianity.

Writing beyond Prophecy offers a new interpretation of the American Renaissance by drawing attention to a cluster of later, rarely studied works by Ralph Waldo Emerson, Nathaniel Hawthorne, and Herman Melville. Identifying a line of writing from Emerson's Conduct of Life to Hawthorne's posthumously published Elixir of Life manuscript to Melville's Clarel: A Poem and Pilgrimage in the Holy Land, Martin Kevorkian demonstrates how these authors wrestled with their vocational calling. Early in their careers, these three authors positioned their literary pursuits as an alternative to the ministry. By presenting a "new revelation" and a new set of "gospels" for the nineteenth century, they sought to usurp the authority of the pulpit. Later in life, each writer came to recognize the audacity of his earlier work, creating what Kevorkian characterizes as a literary aftermath. Strikingly, each author later wrote about the character of a young divinity student torn by a crisis of faith and vocation. Writing beyond Prophecy gives a distinctive shape to the late careers of Emerson, Hawthorne, and Melville and offers a cohesive account of the lingering religious devotion left in the wake of American Romanticism.