This is the first and only comprehensive work to deal with a relatively unknown facet of Mexican social and religious history, the debates over the historicity of the Guadalupe apparitions and the historical existence of Juan Diego.

"Theologies of Guadalupe examines theological writings about Mexico's most renowned religious tradition from the colonial era to the present. It also explores how the Guadalupe cult rose above all others in colonial Mexico and emerged from a local devotion to become a regional, national, and then international phenomenon"--

Juan Diego, to whom the Virgin Mary appeared in 1531 miraculously imprinting her likeness on his cape, was canonised in Mexico in 2002 by Pope John Paul II. In 1999, the revered image of Our Lady of Guadalupe had been proclaimed patron saint of the Americas by the Pope. How did a poor Indian and a sixteenth-century Mexican painting of the Virgin Mary attract such unprecedented honours? Across the centuries the enigmatic power of the image has aroused fervent devotion in Mexico: it served as the banner of the rebellion against Spanish rule and, despite scepticism and anti-clericalism, still remains a potent symbol of the modern nation. This book traces the intellectual origins, the sudden efflorescence and the adamantine resilience of the tradition of Our Lady of Guadalupe and will fascinate anyone concerned with the history of religion and its symbols.

The devotion to Our Lady of Guadalupe is one of the most important elements in the development of a specifically Mexican tradition of religion and nationality. This volume makes available to the English-reading public an easily accessible translation from the original Nahuatl, along with extensive critical apparatus dealing with various linguistic, orthographic, and typographical matters.

In Our Lady of Guadalupe and Saint Juan Diego, Eduardo Chávez presents the most important points of the Great Guadalupan Event: the apparition of Our Lady of Guadalupe to Juan Diego, a recently converted indigenous man, in Mexico. Through a utilization of the numerous historical documents and investigations of this event, Chávez details the reality of what occurred in the cold winter of 1531. As described by Pope John Paul II, "The Guadalupan Event is the perfectly inculturated Evangelization model." Chávez's historical analysis not only represents strong scholarship, but also draws the reader closer to the spiritual power of the events. As the newest contribution to the series Celebrating Faith: Explorations in Latino Spirituality and Theology, this work is of course ideal for use in Latino Studies, but also appeals to wider audience more curious about the Guadalupan event and its meaning for contemporary Christianity.

For decades, Stafford Poole has stood at the forefront of scholarship on the historicity of the Virgin of Guadalupe, an icon that serves as one of the most important formative religious and national symbols in the history of Mexico. Poole’s groundbreaking first edition of Our Lady of Guadalupe was the first ever to examine in depth every historical source of the Guadalupe apparitions. In this revised edition, Poole employs additional sources and commentary to further challenge common interpretations and assumptions about the Guadalupan tradition.

The foundation legend of the Mexican devotion to Our Lady of Guadalupe is one of the most appealing and beloved of all religious stories. In this volume, editors Barry D. Sell, Louise M. Burkhart, and Stafford Poole present the only known colonial Nahuatl-language dramas based on the Virgin of Guadalupe story: the Dialogue of the Apparition of the Virgin Saint Mary of Guadalupe, an anonymous work from the late seventeenth or early eighteenth century, and The Mexican Portent, authored by creole priest Joseph Pérez de la Fuente in the early eighteenth century. The plays, never before published in English translation, are vital works in the history of the Guadalupe devotion, for they show how her story was presented to native people at a time when it was not universally known. Faithful transcriptions and translations of the plays are accompanied here by introductory essays by Poole and Burkhart and by three additional previously unpublished Guadalupan texts in Nahuatl. This volume is the second in a four-volume series titled Nahuatl Theater, edited by Sell and Burkhart.