In The Greening of Georgia: The Improvement of the Environment in the Twentieth Century, agricultural scientist R. Harold Brown argues that while there is much left to do in environmental preservation, Georgia's environment is better at the end of the twentieth century than any time in the previous 100 years, despite the industrial and residential development. Since the 1940s, topsoil erosion has been reduced to a minor problem, forests now cover at least three million more acres, and wetlands appear nearly as extensive as in colonial days. Industrial growth increased pollution of streams, but dumping of untreated waste has been stopped, water-related human diseases have virtually disappeared, and fish have returned. Atlanta's air is clearer than at mid-century when there were four times the concentration of particles and sulfur dioxide. No air pollutant is higher than in the 1970s and most are much lower. Georgia's water and air are the cleanest they have been in fifty years. Wildlife is more plentiful and diverse; the white-tail deer population has increased to nuisance levels, new species of songbirds have moved into the state, and the bluebird population has increased nearly five percent each year since 1966.

"What Nature Suffers to Groe" explores the mutually transforming relationship between environment and human culture on the Georgia coastal plain between 1680 and 1920. Each of the successive communities on the coast--the philanthropic and imperialistic experiment of the Georgia Trustees, the plantation culture of rice and sea island cotton planters and their slaves, and the postbellum society of wage-earning freedmen, lumbermen, vacationing industrialists, truck farmers, river engineers, and New South promoters--developed unique relationships with the environment, which in turn created unique landscapes. The core landscape of this long history was the plantation landscape, which persisted long after its economic foundation had begun to erode. The heart of this study examines the connection between power relations and different perceptions and uses of the environment by masters and slaves on lowcountry plantations--and how these differing habits of land use created different but interlocking landscapes. Nature also has agency in this story; some landscapes worked and some did not. Mart A. Stewart argues that the creation of both individual and collective livelihoods was the consequence not only of economic and social interactions but also of changing environmental ones, and that even the best adaptations required constant negotiation between culture and nature. In response to a question of perennial interest to historians of the South, Stewart also argues that a "sense of place" grew out of these negotiations and that, at least on the coastal plain, the "South" as a place changed in meaning several times.

Farmers markets are much more than places to buy produce. According to advocates for sustainable food systems, they are also places to “vote with your fork” for environmental protection, vibrant communities, and strong local economies. Farmers markets have become essential to the movement for food-system reform and are a shining example of a growing green economy where consumers can shop their way to social change. Black, White, and Green brings new energy to this topic by exploring dimensions of race and class as they relate to farmers markets and the green economy. With a focus on two Bay Area markets—one in the primarily white neighborhood of North Berkeley, and the other in largely black West Oakland—Alison Hope Alkon investigates the possibilities for social and environmental change embodied by farmers markets and the green economy. Drawing on ethnographic and historical sources, Alkon describes the meanings that farmers market managers, vendors, and consumers attribute to the buying and selling of local organic food, and the ways that those meanings are raced and classed. She mobilizes this research to understand how the green economy fosters visions of social change that are compatible with economic growth while marginalizing those that are not. Black, White, and Green is one of the first books to carefully theorize the green economy, to examine the racial dynamics of food politics, and to approach issues of food access from an environmental-justice perspective. In a practical sense, Alkon offers an empathetic critique of a newly popular strategy for social change, highlighting both its strengths and limitations.

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.

This book is a collection of digital narratives and personal essays written by twenty-one immigrant and refugee high school students from thirteen countries who reside in Atlanta.

In searching American literary landscapes for what they can reveal about our attitudes toward nature and gender, The Green Breast of the New World considers symbolic landscapes in twentieth-century American fiction, the characters who inhabit those landscapes, and the gendered traditions that can influence the figuration of both of these fictional elements. In this century, says Louise H. Westling, American literary responses to landscape and nature have been characterized by a puzzling mix of eroticism and misogyny, celebration and mourning, and reverence and disregard. Focusing on problems of gender conflict and imperialist nostalgia, The Green Breast of the New World addresses this ambivalence. Westling begins with a "deep history" of literary landscapes, looking back to the archaic Mediterranean/Mesopotamian traditions that frame European and American symbolic figurations of humans in the land. Drawing on sources as ancient as the Sumerian Hymns to Innana and the Epic of Gilgamesh, she reveals a tradition of male heroic identity grounded in an antagonistic attitude toward the feminized earth and nature. This identity recently has been used to mask a violent destruction of wilderness and indigenous peoples in the fictions of progress that have shaped our culture. Examining the midwestern landscapes of Willa Cather's Jim Burden and Ernest Hemingway's Nick Adams, and the Mississippi Delta of William Faulkner's Thomas Sutpen and Isaac McCaslin and Eudora Welty's plantation families and small-town dwellers, Westling shows that these characters all participate in a cultural habit of gendering the landscape as female and then excusing their mistreatment of it by retreating into a nostalgia that erases their real motives, displaces responsibility, and takes refuge in attitudes of self-pitying adoration.

After attaining approval from the governor to form a city on April 21, 1821, Gainesville, Georgia, transformed into a commercial and resort area that soon attracted a street railway. When its line was expanded in 1877, Green Street eventually became one of the most desirable places to raise a family. Even after a fire nearly destroyed the town in 1851, its determined residents persevered. In 1975, the Green Street homes were placed in the Green Street Historic District and on the National Registry. Within a fascinating presentation, Helen Martin looks beyond the jewels and grandeur to capture the past and offer a glimpse into the versatile house designs of North Green Street. Some of the homes described include the Martin–Matthews–Norton house built at (58) 393 Green Street between 1910 and 1911; the Wallace House at 417 Green Street, constructed at around 1900; and the Nalley Martin house, one of the last homes erected in 1938. Included are historical photographs and additional details regarding the twenty-five homes that fell in the name of progress. Beyond the Jewels and Grandeur is an architecture book you’ll definitely want in your bookshelf. It shares the architectural history of a beloved street in Gainesville, Georgia, as its homes and residents endured changes through both simple and challenging times.