"The Green Millennium" by Fritz Leiber. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Does the novel have a future? Questions of this kind, which are as old as the novel itself, acquired a fresh urgency at the end of the twentieth-century with the rise of new media and the relegation of literature to the margins of American culture. As a result, anxieties about readership, cultural authority and literary value have come to preoccupy a second generation of postmodern novelists. Through close analysis of several major novels of the past decade, including works by Don DeLillo, Philip Roth, Kathryn Davis, Jonathan Franzen and Richard Powers, Late Postmodernism examines the forces shaping contemporary literature and the remarkable strategies American writers have adopted to make sense of their place in culture.

THE GREEN MILLENNIUM It all started with the green kitten. Phil Gish had no way to know that his adopted pet was about to catapult him into the center of international intrigue. This quirky book will take you on a wild ride full of sexy aliens, mysterious women, demi-humans, and adventure. Fritz Leiber was a giant in the genre field. He won five Hugo Awards, three Nebula Awards, three world Fantasy Awards, and one Stoker Award and was a Science Fiction Writers of America Grand Master. His influence on science fiction, fantasy, and horror cannot be overstated. THE GREEN MILLENNIUM In a futuristic human society based on our own, the regimented, regulated, and bureaucratized lifestyle led by the misanthropic Phil Gish leaves him feeling vaguely dissatisfied and emotionally cut off from other people. When a green cat appears in his room, he is surprised to find that it makes him feel happier and more alive than he has ever felt. Phil decides to call the cat Lucky, hoping his life will take a turn for the better. But lucky is in high demand, and Phil quickly realizes that he’s going to have to go up against the mob, the FBI, some nude aliens, and a gorgeous mystery woman if he’s to keep him. When Lucky seems to vanish into thin air, Phil will do anything to get him back, even if it means challenging the very powers that rule his world. THE GREEN MILLENNIUM It all started with the green kitten. Phil Gish had no way to know that his adopted pet was about to catapult him into the center of international intrigue. This quirky book will take you on a wild ride full of sexy aliens, mysterious women, demi-humans, and adventure. THE GREEN MILLENNIUM Fritz Leiber was a giant in the genre field. He won five Hugo Awards, three Nebula Awards, three world Fantasy Awards, and one Stoker Award and was a Science Fiction Writers of America Grand Master. His influence on science fiction, fantasy, and horror cannot be overstated. THE GREEN MILLENNIUM

The most ambitious work of fiction by a writer widely considered the most important novelist working in China today In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flowerbeds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee—whether to a mysterious gambling bordello or to ancestral homes that can only be reached underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by buried secrets and transcendent delusions. Can Xue's masterful love stories for the new millennium trace love's many guises—satirical, tragic, transient, lasting, nebulous, and fulfilling—against a kaleidoscopic backdrop drawn from East and West of commerce and industry, fraud and exploitation, sex and romance.

The year is 999 A.D. Christians in Europe are preparing themselves for the arrival of the Messiah at the millennium and religious fervour is in the air. Sailing from the North African port of Tangier to a small, distant town called Paris are a Jewish merchant, Ben Attar, his two beloved wives and his Arab partner, Abu Lutfi. They have come for a meeting with their third partner the widower, Raphael Abulafia who has been forced to turn his back on their previous trading partnership because of his new wife's distrust of the dual marriage of Ben Attar. The latter turns this annual trading voyage into a personal quest to legitimise his second wife, restore his honour and, equally important, to show others the richness and humanity in his way of life. A confrontation ensues between people of different cultures whose ways of living and loving are so different, and yet who are of the same religion, believe in the same God and in the same morality. Thus we enter a profound human drama whose moral conflicts of fidelity and desire resonate deeply with our times. A. B. Yehoshua has imaginatively recreated a medieval world with its merchant trade in great depth and sensuous detail. His evocation of one man's love is lyrical, erotic even, and A Journey to the End of the Millennium will rank with the best of Yehoshua's work.

Jacques Attali, French President Mitterand's most trusted advisor and president of the new European bank of Reconstruction and development, offers a provocative and all-too-convincing view of the future in an increasingly troubled world.

"The most cosmically elegiac writer in literature . . . no one reading Ballard could doubt the tidal gravity of his intellect." —Jonathan Lethem, New York Times Book Review Violent rebellion comes to London’s middle classes in this “fascinating” (San Francisco Chronicle) novel from the same author of Crash and Empire of the Sun. Never more timely, Millennium People “seeks to illuminate our hearts of darkness while undermining our assumptions about what literature is meant to do” (Los Angeles Times).