"A second anthology featuring [21] all-new, original crime fiction tales of the man who hunts the biggest of all game, public enemies that even the FBI can't reach"--Page 4 of cover.

Much has been written about the girl sleuth in fiction, a feminist figure embodying all the potential wit and drive of girlhood. Her male counterpart, however, has received much less critical attention despite his popularity in the wider culture. This collection of 11 essays examines the boy detective and his genre from a number of critical perspectives, addressing the issues of these young characters, heirs to the patriarchy yet still concerned with first crushes and soda shop romances. Series explored include the Hardy Boys, Tow Swift, the Three Investigators, Christopher Cool and Tim Murphy, as well as works by Astrid Lindgren, Mark Haddon and Joe Meno.

A third anthology features original crime fiction tales of the man who hunts public enemies in the mid 1960s. On police records, the Green Hornet is a wanted criminal; in reality he is Britt Reid, publisher of the Daily Sentinel. Accompanied by his partner Kato, a martial artist and brillian engineer, their goal is to destroy crime from within by posing as criminals themselves.

A collection of stories in which the Green Hornet and Kato search for criminals that even the FBI cannot bring to justice.

Calling All Cars shows how radio played a key role in an emerging form of policing during the turbulent years of the Depression. Until this time popular culture had characterized the gangster as hero, but radio crime dramas worked against this attitude and were ultimately successful in making heroes out of law enforcement officers.Through close analysis of radio programming of the era and the production of true crime docudramas, Kathleen Battles argues that radio was a significant site for overhauling the dismal public image of policing. However, it was not simply the elevation of the perception of police that was at stake. Using radio, reformers sought to control the symbolic terrain through which citizens encountered the police, and it became a medium to promote a positive meaning and purpose for policing. For example, Battles connects the apprehension of criminals by a dragnet with the idea of using the radio network to both publicize this activity and make it popular with citizens.The first book to systematically address the development of crime dramas during the golden age of radio, Calling All Cars explores an important irony: the intimacy of the newest technology of the time helped create an intimate authority—the police as the appropriate force for control—over the citizenry.

The New York Times best selling true story of an unlikely friendship forged between a woman and the man she incorrectly identified as her rapist and sent to prison for 11 years. Jennifer Thompson was raped at knifepoint by a man who broke into her apartment while she slept. She was able to escape, and eventually positively identified Ronald Cotton as her attacker. Ronald insisted that she was mistaken-- but Jennifer's positive identification was the compelling evidence that put him behind bars. After eleven years, Ronald was allowed to take a DNA test that proved his innocence. He was released, after serving more than a decade in prison for a crime he never committed. Two years later, Jennifer and Ronald met face to face-- and forged an unlikely friendship that changed both of their lives. With Picking Cotton, Jennifer and Ronald tell in their own words the harrowing details of their tragedy, and challenge our ideas of memory and judgment while demonstrating the profound nature of human grace and the healing power of forgiveness.

This graphic novel tells the legend of Yu the Great, a Chinese hero from the twenty-first century B.C. Some scholars believe Yu actually existed and that he founded the Xia Dynasty, the first Chinese empire described in historical records. Some later Chinese texts describe Yu as a kind and strong emperor whose engineering projects saved China from frequent floods. But in Chinese legend, as in this book, Yu is descended from the gods and born from a golden dragon. He saves China from floods by using magical soil to plug underwater springs, with the help of a tortoise, an owl, and a dragon.