This book explores the areas in which novels such as Chariton’s Callirhoe and Heliodorus’s Aithiopika are ideal beyond the ideal love relationship and considers how concepts of the ideal connect to archetypal and literary patterns as well as reflecting contemporary ideological and cultural elements. Readers will gain a better understanding of how necessary is an understanding of these ideal elements to a full understanding of the novels’ possible readings and their reader’s attitudes. This book sets forth critical methods, subsequently followed, which allows for this exploration of ideal themes. Ideal Themes in the Greek and Roman Novel will be an invaluable resource for scholars of these novels, as well as ancient narratives and classical literature more generally. Scholars of cultural and utopian studies will also find the book useful, as well as some undergraduate students in all these areas.

The focus of this book--its new perspective--is on the 'receivers' of literature: readers, spectators, and audiences. Twelve contributors, drawn from both sides of the Atlantic, explore the various and changing interactions between the makers of literature and their audiences or readers from the earliest Greek poetry to the end of the Roman empires in the Western and Eastern Mediterranean. From the heights of Athens to the hellenistic Greek diaspora, from the great Augustans to the irresistible tide of Christianity, the contributors deploy fresh insights to map out lively and provocative, yet accessible, surveys. They cover the kinds of literature which have shaped western culture--epic, lyric, tragedy, comedy, history, philosophy, rhetoric, epigram, elegy, pastoral, satire, biography, epistle, declamation, and panegyric. Who were the audiences, and why did they regard their literature as so important? --jacket.

The Greek and Roman novels of Petronius, Apuleius, Longus, Heliodorus and others have been cherished for millennia, but never more so than now. The Cambridge Companion to the Greek and Roman Novel contains nineteen original essays by an international cast of experts in the field. The emphasis is upon the critical interpretation of the texts within historical settings, both in antiquity and in the later generations that have been and continue to be inspired by them. All the central issues of current scholarship are addressed: sexuality, cultural identity, class, religion, politics, narrative, style, readership and much more. Four sections cover cultural context of the novels, their contents, literary form, and their reception in classical antiquity and beyond. Each chapter includes guidance on further reading. This collection will be essential for scholars and students, as well as for others who want an up-to-date, accessible introduction into this exhilarating material.

The first anthology to present the entire range of ancient Greek and Roman stories- from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh-these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology-from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes.

"'Lyric' in contemporary literary criticism is a term as elusive as it is suggestive. It exists both as an adjective, expressing a poetic quality, and as a noun denoting a poetic mode, and both are notoriously difficult to define. It is this protean quality that has allowed 'lyric' to become a powerful creative stimulus for both poets and theorists. A foundational period for today's sense of 'lyric' was the end of the eighteenth and beginning of the nineteenth century"--

In classical antiquity, there was much interest in necromancy--the consultation of the dead for divination. People could seek knowledge from the dead by sleeping on tombs, visiting oracles, and attempting to reanimate corpses and skulls. Ranging over many of the lands in which Greek and Roman civilizations flourished, including Egypt, from the Greek archaic period through the late Roman empire, this book is the first comprehensive survey of the subject ever published in any language. Daniel Ogden surveys the places, performers, and techniques of necromancy as well as the reasons for turning to it. He investigates the cave-based sites of oracles of the dead at Heracleia Pontica and Tainaron, as well as the oracles at the Acheron and Avernus, which probably consisted of lakeside precincts. He argues that the Acheron oracle has been long misidentified, and considers in detail the traditions attached to each site. Readers meet the personnel--real or imagined--of ancient necromancy: ghosts, zombies, the earliest vampires, evocators, sorcerers, shamans, Persian magi, Chaldaeans, Egyptians, Roman emperors, and witches from Circe to Medea. Ogden explains the technologies used to evocate or reanimate the dead and to compel them to disgorge their secrets. He concludes by examining ancient beliefs about ghosts and their wisdom--beliefs that underpinned and justified the practice of necromancy. The first of its kind and filled with information, this volume will be of central importance to those interested in the rapidly expanding, inherently fascinating, and intellectually exciting subjects of ghosts and magic in antiquity.

This is a book for readers who are fascinated by the Moon and the earliest speculations about life on other worlds. It takes the reader on a journey from the earliest Greek poetry, philosophy and science, through Plutarch's mystical doctrines to the thrilling lunar adventures of Lucian of Samosata.