A detailed history of two disasters that befell London, England: the Great Plague of 1665 in which it is estimated that at least 70,000 died, and the Great Fire of 1666, which destroyed four-fifths of the city.

'With one's face in the wind you were almost burned with a shower of Firedrops' A selection from Pepys' startlingly vivid and candid diary, including his famous account of the Great Fire Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.

Samuel Pepys gives a unique first hand account of life during the Great Plague of London and the Great Fire of London. Pepys stayed in London while many of the wealthy fled the city in the face of the plague. His careful observation and interest in the details of people's lives as well as the events of the time are unparalleled.

Thomson, George.

1666 was a watershed year for England. The outbreak of the Great Plague, the eruption of the second Dutch War and the Great Fire of London all struck the country in rapid succession and with devastating repercussions. Shedding light on these dramatic events, historian Rebecca Rideal reveals an unprecedented period of terror and triumph. Based on original archival research and drawing on little-known sources, 1666: Plague, War and Hellfire takes readers on a thrilling journey through a crucial turning point in English history, as seen through the eyes of an extraordinary cast of historical characters. While the central events of this significant year were ones of devastation and defeat, 1666 also offers a glimpse of the incredible scientific and artistic progress being made at that time, from Isaac Newton's discovery of gravity to Robert Hooke's microscopic wonders. It was in this year that John Milton completed Paradise Lost, Frances Stewart posed for the now-iconic image of Britannia, and a young architect named Christopher Wren proposed a plan for a new London - a stone phoenix to rise from the charred ashes of the old city. With flair and style, 1666 shows a city and a country on the cusp of modernity, and a series of events that forever altered the course of history.

Acclaim for The Great Fire of London "Popular narrative history at its best, well researched, imaginatively and dramatically written. . . . The author marshals his story and his mass of contemporary quotations with great skill." —Times Literary Supplement "The brilliance of its narrative chapters . . . a marvelous eye for evocative detail. Hanson’s prose is animated by the ferocious energy of the fire and seems to be guided by its inexorable movement. He creates the literary equivalent of the special effects in a disaster movie. . . . A rich mixture of imagination and research." —The Daily Telegraph (London) "He writes with knowledge and verve. As if making a television documentary on a natural disaster, he includes a gripping technical chapter on the mechanism and chemistry of combustion. This works brilliantly. . . . The book gains immeasurably from the author's eye for detail and from his understanding of the beliefs and prejudices of the day. . . . Informative and lively account." —The Sunday Times (London) "The best depiction of the Great Fire seen to date. . . . He manages to describe not only the atmosphere of the event itself, but also the experience of living in seventeenth-century Britain." —Soho Independent "A riveting book for those who like their history with a bit of mystery." —The Brisbane News "A rollicking good yarn." —The Age (Melbourne) "Blends high-class original research with a narrative style that mimics fiction. . . . Horrific subjects have served this man well and he has a knack for plugging into the dark themes that run like molten rivers beneath our social veneer." —New Zealand Herald "Neil Hanson’s descriptions of the inferno are like CNN reports from Kosovo." —Camden New Journal "It's not the technical data which makes the book so riveting though. It's the flair with which Hanson invests his account with qualities usually reserved for novels–narrative drive, persuasive character sketches, vivid scene stealing." —Sunday Star Times (New Zealand)