The Great Open Dance offers a progressive Christian theology that endorses contemporary ideals: environmental protection, economic justice, racial reconciliation, interreligious peace, gender equality, and LGBTQ+ celebration. Just as importantly, this book provides a theology of progress—an interpretation of Christian faith as ever-changing and ever-advancing into God’s imagination. Faith demands change because Jesus of Nazareth started a movement, not a tradition. He preached about a new world, the Kingdom of God, and invited his followers to work toward the divine vision of universal flourishing. This vision includes all and excludes none. Since we have not yet achieved the world that Jesus describes, we must continue to progress. The energizing impulse of this progress is the Trinity: Abba, Jesus, and Sophia, three persons united by love into one perfect community. God is fundamentally relational, and humankind, made in the image of God, is relational as a result. We are inextricably entwined with one another, sharing a common purpose and a common destiny. In this vision, we find abundant life by practicing agape, the universal, unconditional love that Abba extends, Jesus reveals, and Sophia inspires.

When an alligator shows up to class one day, Mrs. Iraina and her ballet students are very suprised. But she is able to follow along, so they decide it's okay for her to join. The class starts calling her Tanya and even creates a new dance to showcase her larger-than-life talents and big, swishy tail: "The Legend of the Swamp Queen." Tanya has the starring role.

Vols. 1-12 include section "Reviews and criticism."