Explore the characters and locations of Kevin Costner’s Western film opus, Horizon: An American Saga Chapters One and Two, through Cale Glendening’s intimate cast portraits and behind-the-scenes photography. Horizon: An American Saga Is Kevin Costner’s beautiful and complex look at the settling of the West, exploring the lure of the frontier and how it was won—and lost—through the blood, sweat and tears of many. Channeling classic Western photography with gorgeous images in both black-and-white and color, photographer Cale Glendening offers a deeper look into each of the characters of Horizon. Shooting each member of the cast between takes on set, these portraits give readers an intimate glimpse into what it takes to inhabit such a harsh western landscape. This extraordinary collection also features glorious location photography to complete the vision of Horizon. Featuring more than 250 spectacular, never-before-seen images, essays and reflections on filming from the cast and crew, script excerpts, and a foreword by Kevin Costner, The Great Horizon is a thrilling ode to the art of filmmaking. This is the perfect gift for fans of moviemaking, fine art photography, and the Old West. EXCLUSIVE MATERIAL: Features never-before-seen portraits of cast members in character and behind the scenes including Kevin Costner, Sienna Miller, Luke Wilson, Abbey Lee, Sam Worthington, Isabelle Fuhrmann, Tatanka Means, Jamie Campbell Bower, Jena Malone, Michael Rooker, Danny Houston, Owen Crow Shoe, Giovanni Ribisi, Tom Payne, Will Patton, and Ella Hunt. STUNNING IMAGES: Curated from photos shot throughout Horizon's filming, this remarkable volume features photographs of the cast in an emotionally raw state between takes and beautiful location photography shot across Utah. UNPARALLELED COLLECTOR’S ITEM: Singular and unprecedented, The Great Horizon is a powerful tribute to the films that offer fans a rare glimpse into the creation of a vast western saga.

Global Justice and Our Epochal Mind explores the mind of our epoch, defined as the period since the Nuremberg Trial and the establishment of the United Nations in 1945. Xunwu Chen examines four defining ideas of this epoch—global justice, cosmopolitanism, crimes against humanity, and cultural toleration—as well as the structural relationships among these ideas. Chen argues that the mind of our epoch is essentially the mind of humanity. Its world view, horizon, standpoint, norms, standards, and vocabularies are of humanity, by humanity, and for humanity, and all are embodied in human institutions and practices throughout the globe. Meanwhile, our epochal mind has a dialectical relationship with particular cultures bearing normative force. As a metaphysical subjectivity and substance, humanity is the source of all human values in our epoch and defines what can and should be human values and virtues. Humankind, therefore, are a people with socio-political and legal sovereignty, sharing a common fate. This novel study brings a cross-cultural approach and will be of great interest to students and scholars of philosophy, political science, sociology, and the humanities more broadly.

I started off as a musician in high school playing guitar and bass. Coming out of high school, I know some of my own songs as well as other artists. I didnt start writing poems for a while though. Except in high school, for English class, I wrote a poem going Lets blow up the rotten school and build ourselves a swimming pool.. and that raised an issue of school threats similar to bomb threats of this day and age. Then there was this dirty poem I wrote in my early 20s. But I was still writing songs then. I took some college courses in jazz, piano, songwriting and creative writing. Back in 85 I recorded with that famous producer. Butch was who produced Neverworld of nirvana, a number one album of the year in the early 90s. Then in 86 I started a 20 year sentence for a crime. This is where I started writing poetry. I took a uw-extension course in creative writing. I wrote a few and people liked them so I wrote more. There came a time where I used poetry as therapy. I would write 2 poems for every 2 weeks. And that beats writers block. A lot of BEST OF KEN JACKSON has that stuff. Then I was released in 99 and I put out a bunch of rock n roll albums. I was also participating in a monthly poetry group for a while. There is a section of this book I wrote using a variety of student researchers. Thank you for reading this book. Ken Jackson