"Tells the darkly humorous story of the French colonial state's failed efforts to impose its vision of modernity upon the colonial city of Hanoi, Vietnam. This book offers a case study in the history of imperialism, highlighting the racialized economic inequalities of empire, colonization as a form of modernization, and industrial capitalism's creation of a radical power differential between "the West and the rest." On a deeper level, The Great Hanoi Rat Hunt will engage the contradictions unique to the French Third Republic's colonial "civilizing mission," the development of Vietnamese resistance to French rule, the history of disease, and aspects of environmental history"--

This account of imperialism explores recent intellectual, theoretical and conceptual developments in imperial history, including interdisciplinary and post-colonial perspectives. Exploring the links between empire and domestic history, it looks at the interconnections and comparisons between empire and imperial power within wider developments in world history, covering the period from the Roman to the present American empire. The book begins by examining the nature of empire, then looks at continuity and change in the historiography of imperialism and theoretical and conceptual developments. It covers themes such as the relationship between imperialism and modernity, culture and national identity in Britain. Suitable for undergraduates taking courses in imperial and colonial history.

What happens to our understanding of 'orientalism' and imperialism when we consider British-Chinese relations during the nineteenth century, rather than focusing on India, Africa or the Caribbean? This book explores China's centrality to British imperial aspirations and literary production, underscoring the heterogeneous, interconnected nature of Britain's formal and informal empire. To British eyes, China promised unlimited economic possibilities, but also posed an ominous threat to global hegemony. Surveying anglophone literary production about China across high and low cultures, as well as across time, space and genres, this book demonstrates how important location was to the production, circulation and reception of received ideas about China and the Chinese. In this account, treaty ports matter more than opium. Ross G. Forman challenges our preconceptions about British imperialism, reconceptualizes anglophone literary production in the global and local contexts, and excavates the little-known Victorian history so germane to contemporary debates about China's 'rise'.

Plagues in World History provides a concise, comparative world history of catastrophic infectious diseases, including plague, smallpox, tuberculosis, cholera, influenza, and AIDS. Geographically, these diseases have spread across the entire globe; temporally, they stretch from the sixth century to the present. John Aberth considers not only the varied impact that disease has had upon human history but also the many ways in which people have been able to influence diseases simply through their cultural attitudes toward them. The author argues that the ability of humans to alter disease, even without the modern wonders of antibiotic drugs and other medical treatments, is an even more crucial lesson to learn now that AIDS, swine flu, multidrug-resistant tuberculosis, and other seemingly incurable illnesses have raged worldwide. Aberth's comparative analysis of how different societies have responded in the past to disease illuminates what cultural approaches have been and may continue to be most effective in combating the plagues of today.

Diana Lary examines how the common soldier in Warlord China became an instrument of oppression and terror.

Jack London's classic novel White Fang is here faithfully adapted to the graphic novel format. White Fang, a wolf-dog, must fight to survive, and humans are not always his friends, but in this touching story of bravery and animal instinct, he overcomes his brutal nature to settle, domesticated, in a comfortable home. Ideal as visual introductions to classic texts, Graffex titles are fast-moving, cinematic retellings of wellknown stories. Equally rewarding as comics, graphic novels or learning resources, the series uses specially commissioned full-colour artwork to retell some of the most incredible, influential and memorable tales in the canon of English literature. Speech bubbles feature direct quotes from the original text, running captions describe events in a clear manner and detailed footnotes translate challenging vocabulary and provide interesting background information. It's a wealth of key information that, critically, doesn't overwhelm or distract from the original story. Featuring photographs, paintings and maps, Graffex endmatters tell the story of each book in its wider geographical context. Text details the life of the author, the socio-political events which influenced the book and the impact the book had on the society of the time. Each title also features a double-page opening illustration and a full index.

This is an illustrated "graphic history" based on an 1876 court transcript of a West African woman named Abina, who was wrongfully enslaved and took her case to court. The main scenes of the story take place in the courtroom, where Abina strives to convince a series of "important men"--A British judge, two Euro-African attorneys, a wealthy African country "gentleman," and a jury of local leaders --that her rights matter.--Publisher description.