'Mark Lowery is far too funny' Jonathan Meres, author of THE WORLD OF NORM The fourth book in the hilarious and anarchic ROMAN GARSTANG ADVENTURE series Incredibly, unbelievably, Roman's cousin is marrying the cousin of Rosie Taylor (AKA The Worst Person Who Ever Lived) cousin. Roman can't believe this (as Rosie says: "How can we be in the same family, we're barely in the same species"). Rosie's parents decide they should go along together and "make a weekend of it". Roman's plus one is his best friend Gamble (probably the naughtiest kid in Europe) - and it's the beginning of another big, messy, catastrophic and uproarious adventure for Roman - with Winnebagos, illegal thrash metal festivals and campsite beauty contests all thrown into the mix ...

'Mark Lowery is far too funny' Jonathan Meres, author of THE WORLD OF NORM The fifth book in the hilarious and anarchic ROMAN GARSTANG ADVENTURE series It's the end of term for Roman - the last week ever of primary school, in fact. And in what should be an unremarkable, tying-things-up kind of week, Roman's class get the opposite - a very special visitor. One Jason Grooves - ex-pupil turned mega-famous singer. Jason is back at school to film his new reality TV show - Jason: Grooving on to the Next Chapter. He's got big plans, and he wants Roman and all the class to get in with the action. Filming, proms, auditions, charity gigs and the launch of his brand-new food lines, including some very special spaghetti hoops ... All Roman Garstang wants is a quiet life. But is he going to get one? You bet not ...

'Mark Lowery is far too funny' Jonathan Meres, author of THE WORLD OF NORM The sixth book in the hilarious and anarchic ROMAN GARSTANG ADVENTURE series It is the month before Christmas, and Roman's class is preparing for the Christmas fete and the school pantomime. The new teacher at the helm - the awful Mr Le Salle, a flamboyant, theatrical and downright nasty piece of work - is the least of Roman's worries. He also has to contend with the most rubbish role in the panto (being a box) as well as organising the Santa's grotto stall at the Christmas fete with loose cannon Darren Gamble. As the panto nears, it seems that everything that could possibly go wrong is about to. It is left to Roman to save the panto and the day ...

Thirteen-year-old Martin and his younger brother Charlie are on a very special journey. They're going to be travelling 421 miles all the way from Preston to the very tip of Cornwall. By train, bus and taxi, they are determined to get there in the end; and they're hoping to catch a glimpse of the dolphin that regularly visits the harbour there. But is that the only reason they are going? It's a journey that's full of challenges and surprises. Martin adores his brother Charlie but he's not like ordinary kids. He's one in a million. He was born far too early, and ought to have died. And cheeky, irrepressible, utterly unique Charlie is always keeping Martin on his toes - especially on this crazy trip they are now on. Martin is doing his best to be a good big brother, but it's hard when there's something so huge coming once they get to Cornwall ... An unforgettable novel that is by turns funny and heartbreaking.

It was a catastrophe without precedent in recorded history: for months on end, starting in A.D. 535, a strange, dusky haze robbed much of the earth of normal sunlight. Crops failed in Asia and the Middle East as global weather patterns radically altered. Bubonic plague, exploding out of Africa, wiped out entire populations in Europe. Flood and drought brought ancient cultures to the brink of collapse. In a matter of decades, the old order died and a new world--essentially the modern world as we know it today--began to emerge. In this fascinating, groundbreaking, totally accessible book, archaeological journalist David Keys dramatically reconstructs the global chain of revolutions that began in the catastrophe of A.D. 535, then offers a definitive explanation of how and why this cataclysm occurred on that momentous day centuries ago. The Roman Empire, the greatest power in Europe and the Middle East for centuries, lost half its territory in the century following the catastrophe. During the exact same period, the ancient southern Chinese state, weakened by economic turmoil, succumbed to invaders from the north, and a single unified China was born. Meanwhile, as restless tribes swept down from the central Asian steppes, a new religion known as Islam spread through the Middle East. As Keys demonstrates with compelling originality and authoritative research, these were not isolated upheavals but linked events arising from the same cause and rippling around the world like an enormous tidal wave. Keys's narrative circles the globe as he identifies the eerie fallout from the months of darkness: unprecedented drought in Central America, a strange yellow dust drifting like snow overeastern Asia, prolonged famine, and the hideous pandemic of the bubonic plague. With a superb command of ancient literatures and historical records, Keys makes hitherto unrecognized connections between the "wasteland" that overspread the British countryside and the fall of the great pyramid-building Teotihuacan civilization in Mexico, between a little-known "Jewish empire" in Eastern Europe and the rise of the Japanese nation-state, between storms in France and pestilence in Ireland. In the book's final chapters, Keys delves into the mystery at the heart of this global catastrophe: Why did it happen? The answer, at once surprising and definitive, holds chilling implications for our own precarious geopolitical future. Wide-ranging in its scholarship, written with flair and passion, filled with original insights, Catastrophe is a superb synthesis of history, science, and cultural interpretation.

Catastrophes and crises are exceptions. They are disruptions of order. In various ways and to different degrees, they change and subvert what we regard as normal. They may occur on a personal level in the form of traumatic or stressful situations, on a social level in the form of unstable political, financial or religious situations, or on a global level in the form of environmental states of emergency. The main assumption in this book is that, in contrast to the directness of any given catastrophe and its obvious physical, economical and psychological consequences our understanding of catastrophes and crises is shaped by our cultural imagination. No matter in which eruptive and traumatizing form we encounter them, our collective repertoire of symbolic forms, historical sensibilities, modes of representation, and patterns of imagination determine how we identify, analyze and deal with catastrophes and crises.This book presents a series of articles investigating how we address and interpret catastrophes and crises in film, literature, art and theory, ranging from Voltaire’s eighteenth-century Europe, haunted by revolutions and earthquakes, to the 1994 genocide in Rwanda to the bleak, prophetic landscapes of Cormac McCarthy.