"The Great Air War is the first comprehensive account of the battle fliers, their planes, and their vital role in World War I. Aerial combat in "the war to end war" was an utterly unprecedented new chapter in military potential of the flying machine was unfathomed. It had been only a decade since Orville Wright had made history's first successful airplane flight. High- ranking officers in all countries dismissed the use of the plane for any purpose except possible reconnoitering. But as the war progressed, aviation technology boomed, the plane became a lethal weapon - and a new warrior breed was born. The story of these men - the now legendary heroes and their man-to-man encounters, their breathtaking victories and heartbreaking defeats is spellbinding: Aaron Norman seats the reader right in the cockpit beside the great aces and many less famous but equally courageous airmen. Some of the individual stories rank with the classics of adventure literature. Colourful biographies of the top aces of each nation, and their victory scores, are a feature of the Great Air War. The various war planes are described in detail: the Sopwiths, Nieuports, Fokkers, Spads, Albatroses, SE-5's, and performance, strong points and weaknesses. The incredible story of Count Zeppelin's terrifying if vulnerable dirigibles is recounted at length. It was with this giant craft that the German high command hoped to bring Britain to her knees, and the dramatic picture of these monsters hovering ominously in the night skies over England is one of the many high spots of the book. For its complete story of the monumental action as the seesaw battle went on for supremacy in the sky, and for its many anecdotal stories in human terms throughout, The Great Air War is superb reading; the book in its entirely is also of major importance as history, since the chronicle of World War I is incomplete without this first full coverage of the part played in it by ariel combat. The illustrations add to the comprehensive coverage. There are two 16-page inserts of photographs - 65 photos in all - and 54 side -view drawings of the planes. With full index, appendices and bibliography". - Publisher

Starting in 1909 with the beginnings of military aviation and the aviation industry and ending with their catastrophic postwar contraction, the book examines the totality of the air war: its heroism, romantic myths, politics, strategies, and cost in men and materiel. John H. Morrow, Jr., also elaborates on the advancements in aircraft and engine technology and production during airpower's development into a viable and threatening military weapon within a decade of its origins.

A dramatic and fascinating account of aerial combat during World War I, revealing the terrible risks taken by the men who fought and died in the world's first war in the air. Little more than ten years after the first powered flight, aircraft were pressed into service in World War I. Nearly forgotten in the war's massive overall death toll, some 50,000 aircrew would die in the combatant nations' fledgling air forces. The romance of aviation had a remarkable grip on the public imagination, propaganda focusing on gallant air 'aces' who become national heroes. The reality was horribly different. Marked for Death debunks popular myth to explore the brutal truths of wartime aviation: of flimsy planes and unprotected pilots; of burning nineteen-year-olds falling screaming to their deaths; of pilots blinded by the entrails of their observers. James Hamilton-Paterson also reveals how four years of war produced profound changes both in the aircraft themselves and in military attitudes and strategy. By 1918 it was widely accepted that domination of the air above the battlefield was crucial to military success, a realization that would change the nature of warfare forever.

This treatise provides incisive discussions on the protection of the expression of ideas. The forms portion helps you navigate through US Copyright Office practice, and provides examples of state-of-the-art agreements and outstanding litigation forms. These model litigation and transactional documents represent real-life agreements and court filings, as well as bare bones forms easily adapted to the needs of your clients. Two volumes of primary source materials contain the text of the US Copyright Act and the regulations adopted thereunder, and the text of relevant international treaties, including the Berne Convention and the WIPO Copyright Treaties.

In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.

When the Japanese attacked Pearl Harbor on December 7, 1941, the Army Air Forces had only 1,100 combat-ready planes. No one could have imagined then that within the next four years the AAF would become the mighty weapon commemorated in the paintings reproduced on the following pages, or that it would have to scope to engage in what its commander, General Henry H. "Hap" Arnold, described as a "global mission." Nevertheless, by 1944 the AAF had grown into 16 separate air forces stationed around the world, and its 1,100 planes had grown to nearly 80,000.