Lyman Allen was born 17 September 1808 in Eaton, New York. His parents were Asaph Allen and Lois K. He married Sally Brown in 1830 in Vermont. They had five children. He married Hepsy S.W. Baldwin, a widow with three children, in 1856 in Iowa City, Iowa. His step-daughter, Julia Baldwin, was born 4 September 1843 in New York. She married Mark Allen in 1868. They had four children.

The Chinese themes of the Four Graybeards of Mt. Shang and the Seven Sages of the Bamboo Grove figure prominently in the art of Momoyama-period Japan (ca. 1575-1625). Kendall Brown proposes that the dense and multivalent implications of aesthetic reclusion central to these paintings made them appropriate for patrons of all classes - the military, who were presently in power, the aristocracy, who had lost power, and the Buddhist priesthood, who forsook power. These paintings, and their attendant messages, thus serve as dynamic cultural agents that elucidate the fundamental paradigms of early modern Japanese society. Unlike traditional art history studies, which emphasize the style and history of art objects, The Politics of Reclusion sets out to reconstruct the possible historical context for the interpretive reception and use of Chinese hermit themes within a specific period of Japanese art. In emphasizing the political dimension of aesthetic reclusion, it introduces into the field of Japanese art history a discussion of the politics of aesthetics that characterizes recent work in the field of Japanese literature. By embedding the paintings within the contexts of politics, philosophy, religion, and even gender, this study restores the reflexive relations between the paintings and their culture and, as such, is one of the first extensive intellectual and social histories of Japanese art in a Western language. It is one that will appeal not only to students of art but to those interested in Japanese literature, history, and philosophy.

Perhaps no topic is more heated, and the sources more tendentious, than that of Civil War prisons and the treatment of prisoners of war (POWs). Partisans of each side, then and now, have vilified the other for maltreatment of their POWs, while seeking to excuse their own distressing record of prisoner of war camp mismanagement, brutality, and incompetence. It is only recently that historians have turned their attention to this contentious topic in an attempt to sort the wheat of truth from the chaff of partisan rancor. Roger Pickenpaugh has previously studied a Union prison camp in careful detail (Camp Chase) and now turns his attention to the Union record in its entirety, to investigate variations between camps and overall prison policy and to determine as nearly as possible what actually happened in the admittedly over-crowded, under-supplied, and poorly-administered camps. He also attempts to determine what conditions resulted from conscious government policy or were the product of local officials and situations. A companion to Pickenpaugh's Captives in Blue.

The Amateur Athletic Union (AAU) has long symbolized the idealism of amateur athletic competition. For basketball especially, the AAU provided an opportunity for athletes to showcase their skills for the benefit of the team and the sport, not the bottom line. In The Golden Age of Amateur Basketball, Adolph H. Grundman recounts the history of the AAU National Tournament during its golden age, 1921 through 1968. ø Grundman analyzes the early tournaments, examining rule changes, key players, and dominant teams. He explores the rivalries between corporations for amateur dominance after 1935, the competition between the AAU and the National Collegiate Athletic Association for representation in Olympic basketball, the question of just how amateur ?amateur? basketball really was, and the reasons for the demise of postcollegiate amateur basketball. The Golden Age of Amateur Basketball provides the first history of AAU basketball and identifies players and teams that made major contributions to basketball history.

Keven McCoon was the perfect killer working for the perfect client: the U.S.Government. Then he saw something he shouldn't have seen and the hunter became the hunted. His flight from government pursuers takes surprising twists and turns and he is cast in a powerful, dangerous situation at sea with two people desperately running, but from themselves. The trio sail from Portsmouth, N.H. to Bermuda and then to the Virgins on a trip fraught with dangers from the sea and their nemeses. The flight ends in a thrilling and unpredictable confrontation that can best be described as deafening. The main characters are complete, but imperfect people who rise to present heroic performances as the plot develops. Graybeard is truly what reviewers call "a good read."

Butterfly Bill's personal narrative of Rainbow Gatherings from 1987 to 2000.

The Science of Lost Futures is a prize-winning collection full of quirky humor and intelligent absurdity. Ryan Habermeyer is a yarn spinner of the first order. Drawing on urban legends, internet hoaxes, and ancient medical folklore, these stories go beyond science fiction and magical realism to create a captivating collection of fabulist stories that revel in the alien and the absurd.