A debut author unearths the long-buried secrets of a small New England town in the 1850s in this richly atmospheric Gothic tale of murder, guilt, redemption, and finding love where it's least expected.

A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer

A candid and brutal account of murder, abduction, and violence during the Troubles in Northern Ireland-from two men on opposite sides of the conflict. After 'the long war' in Ireland came to an end, very few paramilitary leaders on either side spoke openly about their role in that bloody conflict, but in Voices from the Grave, two leading figures from opposing sides reveal their involvement in bombings, shootings and killings on one condition: that their stories were kept secret until after their deaths. In extensive interviews given to researchers from Boston College, Brendan Hughes and David Ervine spoke with astonishing openness about their turbulent, violent lives. Hughes was a legend in the Republican movement. An 'operator', a gun-runner and mastermind of some of the most savage IRA violence of the Troubles, he was a friend and close ally of Gerry Adams and was by his side during the most brutal years of the conflict. David Ervine was the most substantial political figure to emerge from the world of Loyalist paramilitaries. A former Ulster Volunteer Force bomber and confidante of its long-time leader Gusty Spence, Ervine helped steer Loyalism's gunmen towards peace, persuading the UVF's leaders to target IRA and Sinn Fein activists and push them down the road to a ceasefire. Now their stories have been woven into a vivid narrative which provides compelling insight into a secret world and events long hidden from history.

"Let the wicked be ashamed, and let them be silent in the grave." These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests. Prepared to accept that Edward's death was due to a longstanding physical infirmity, Julia is outraged when Brisbane visits and suggests that Sir Edward has been murdered. It is a reaction she comes to regret when she discovers the damning paper for herself, and realizes the truth. Determined to bring her husband's murderer to justice, Julia engages the enigmatic Brisbane to help her investigate Edward's demise. Dismissing his warnings that the investigation will be difficult, if not impossible, Julia presses forward, following a trail of clues that lead her to even more unpleasant truths, and ever closer to a killer who waits expectantly for her arrival.

My name is Alexis, though everyone calls me Lexie. I'm a Necromancer. We're rare enough that I've never met another in my life, until Claire came home to tell me she found one. In New Orleans.Now I am headed south with my best friends, staying in close quarters with five guys, four guys whom I have kissed, one who has been ignoring me for the last few weeks, one who keeps sneaking kisses, one who doesn't even remember it and another… Well, I don't know what he wants. Thank God for Miles. He's my one safe place in this disaster I've created.Naturally, that's not my only problem. Things aren't good in New Orleans. Representatives from the Witches Council are in town, the dead are everywhere, and the secrets are piling up. The whole situation is a powder keg just waiting for a match. But why am I holding the matches?

An exciting police thriller from New York Times Bestselling author and former NYC police commissioner Bernard Kerik. A story of suspense, murder, and terrorist conspiracy ripped from today's headlines. “Kerik, a comic book hero come to life.” —The New York Times “SHOTS FIRED CENTRAL! 26 Sergeant to Central… Shot fired… cop down at one-two-five and Broadway – get a bus … suspect running towards the Westside Highway just off of Broadway!” New York City Police Commissioner Rick Raymond was a captain back in 2001 when terrorist planes struck the Twin Towers, killing thousands…including fellow police officers and Raymond’s wife. Ever since that awful day, as he climbed the ranks, Raymond vowed to protect his city, his police force, and citizens. For Raymond this means an uncompromising dedication to his duties, while at the same time juggling the political demands of his office – the grandstanding mayor, the ever-questioning press, and oh yes, his torrid (but secret) romance with District Attorney Sheilah Dannis. During the aftermath of a shooting in Times Square that left on cop dead and one gravely wounded, Raymond finds himself at the center of the drama when he confronts and takes out cop killer. When the cop killer is revealed to be a radical Islamic terrorist, Raymond’s vow takes him on a dangerous mission to save and protect New York City from another devastating attack – a mission that will take a very personal toll. The events unfold at a breakneck pace, making The Grave Above the Grave a page-turning novel of suspense and derring-do. The stakes have never been higher.