Professor and scholar, teacher of poets and poetry and convert to Eastern Orthodoxy, Donald Sheehan wrote these wide-ranging essays with a common commitment to understanding the ways in which the ruining oppositions of our experience can be held within the disciplines of lyric art—held “until God Himself can be seen in the ruins . . . and overwhelmingly and gratefully loved.” That is what Sheehan means by “the grace of incorruption.” Part One weaves together themes from Sheehan’s life and pilgrimages; the spiritual art of Orthodox Saints Gregory of Nyssa, Isaac and Ephraim of Syria, and others; the literary art of Dostoevsky, Frost, Salinger, and contemporary poets including Jane Kenyon; and the philosophy of René Girard—examining the nature of penitence, prayer, personhood, freedom, depression, and the right relationship to the earth. Part Two delves into the poetics of The Psalms, especially LXX 118: a “poetics of resurrection.” “I am dead certain that my response to this volume will chime with those of others whose work is held up to the light in The Grace of Incorruption. In one beautiful sentence after another, we must share the uncanny sense of never having understood our own hearts—not until we saw them reflected in the great heart (and mind) of this nonpareil commentator. Don Sheehan did not merely understand poetry; it was part and parcel of his own great soul." —Sydney Lea, Vermont Poet Laureate “This was a very difficult book for me to read, as—now and again—my own tears blinded me to the page, and my own sobbing shook the papers in my hands. That is to say that Donald Sheehan’s journey—through both brokenness and beauty—to a deep and healing calm is at once personal and universal. With a poet’s visionary prose, a scholar’s acuity, and a pilgrim’s devotion, Donald Sheehan offers his reader access to the profound, compelling stillness at the heart of all things. He proves an exceedingly good guide along the way.”—Scott Cairns, author of Slow Pilgrim: Collected Poems “In this beautiful book, Dostoyevsky, Orthodox liturgy, and Holy Fathers ancient and modern converse with Shakespeare, Frost, Salinger, Jane Kenyon and René Girard, sharing insight into such realities as memory, violence, depression, stillness, self-emptying love, personhood, and ‘the anthropology of the Cross.’ This conversation, a ‘spiritual ecumenism’ effected in art, gathers finally round the heart and source of all tradition of poetry and prayer in Christian East and West alike: the Psalms of David. Orthodox Christian contributions to Anglophone poetry and poetics are few. Don Sheehan was not only a fine interpreter of poetry, but a poet himself, working in the medium of prose. The philosopher Malebranche famously wrote that ‘attentiveness is the natural prayer of the soul,’ and the Orthodox liturgy bids us continually to ‘be attentive.’ The essays in this volume capture that spirit of loving attentiveness -- never lacking in form -- for which Don ardently strove, and which characterized his approach to art, to other people, and to God.”—Fr. Matthew Baker, Fordham University

Professor and scholar, teacher of poets and poetry and convert to Eastern Orthodoxy, Donald Sheehan wrote these wide-ranging essays with a common commitment to understanding the ways in which the ruining oppositions of our experience can be held within the disciplines of lyric art—held “until God Himself can be seen in the ruins . . . and overwhelmingly and gratefully loved.” That is what Sheehan means by “the grace of incorruption.” Part One weaves together themes from Sheehan’s life and pilgrimages; the spiritual art of Orthodox Saints Gregory of Nyssa, Isaac and Ephraim of Syria, and others; the literary art of Dostoevsky, Frost, Salinger, and contemporary poets including Jane Kenyon; and the philosophy of René Girard—examining the nature of penitence, prayer, personhood, freedom, depression, and the right relationship to the earth. Part Two delves into the poetics of The Psalms, especially LXX 118: a “poetics of resurrection.” “I am dead certain that my response to this volume will chime with those of others whose work is held up to the light in The Grace of Incorruption. In one beautiful sentence after another, we must share the uncanny sense of never having understood our own hearts—not until we saw them reflected in the great heart (and mind) of this nonpareil commentator. Don Sheehan did not merely understand poetry; it was part and parcel of his own great soul." —Sydney Lea, Vermont Poet Laureate “This was a very difficult book for me to read, as—now and again—my own tears blinded me to the page, and my own sobbing shook the papers in my hands. That is to say that Donald Sheehan’s journey—through both brokenness and beauty—to a deep and healing calm is at once personal and universal. With a poet’s visionary prose, a scholar’s acuity, and a pilgrim’s devotion, Donald Sheehan offers his reader access to the profound, compelling stillness at the heart of all things. He proves an exceedingly good guide along the way.”—Scott Cairns, author of Slow Pilgrim: Collected Poems “In this beautiful book, Dostoyevsky, Orthodox liturgy, and Holy Fathers ancient and modern converse with Shakespeare, Frost, Salinger, Jane Kenyon and René Girard, sharing insight into such realities as memory, violence, depression, stillness, self-emptying love, personhood, and ‘the anthropology of the Cross.’ This conversation, a ‘spiritual ecumenism’ effected in art, gathers finally round the heart and source of all tradition of poetry and prayer in Christian East and West alike: the Psalms of David. Orthodox Christian contributions to Anglophone poetry and poetics are few. Don Sheehan was not only a fine interpreter of poetry, but a poet himself, working in the medium of prose. The philosopher Malebranche famously wrote that ‘attentiveness is the natural prayer of the soul,’ and the Orthodox liturgy bids us continually to ‘be attentive.’ The essays in this volume capture that spirit of loving attentiveness -- never lacking in form -- for which Don ardently strove, and which characterized his approach to art, to other people, and to God.”—Fr. Matthew Baker, Fordham University

This important study provides the first English translation of both the surviving fragments of Origen's Commentary on Ephesians and of the complete text of Jerome's Commentary on Ephesians. The two translations are placed parallel to one another where they treat the same texts in Ephesians thus showing Jerome's extensive dependence on Origen's commentary. By using collateral texts from other works of Origen, Jerome, and Rufinus, the author is able to show Jerome's dependence on Origen in numerous passages in his commentary where the Greek text of Origen's commentary is lost. The translation is accompanied by Heine's illuminating commentary and a substantial introduction sets the works in their historical context. The book makes a significant contribution not only to scholarship on Origen and Jerome, but also to the wider question of the interpretation of scripture in the early Christian centuries.

In this posthumous collection of poet and teacher Donald Sheehan's reflections on Psalms and psalmic prayer, culled from his journals and teaching notes, you will find two quite different kinds of writing working in tandem: poetic and personal journaling by a man of faith, a scholar, a linguist, and, in the deepest sense, a teacher; alongside scholarly linguistic and poetic analysis by a man steeped in poetry who thought like a poet. "In the spiritual life, two things are essential: what we do, and how we do it. In this wonderful collection of the late Donald Sheehan's thoughts on the Psalms, we see both. He takes us into what the Psalms are in depth-the Word of God. He also demonstrates, time and again, how those depths shape his life and the world in which he lives. Thus, we are given two things: the Word of God and a life in which the Word has given shape. It is a path we all should walk." -Fr. Stephen Freeman

This item is part of: Lenski New Testament: In Twenty Volumes. Pastors and students of the Bible who seek deep and detailed engagement with the text of the New Testament have long relied on R.C.H. Lenski's classic text now available again. Even though its historical-critical work has been surpassed, the strong narrative quality, accessibility, and "holy reverence for the Word of God" (Moody Monthly) of Lenski's work have allowed his commentary to continue as an excellent resource for serious study of the New Testament and sermon preparation.

"In this rendering, the Psalms become once again what they were for Christian believers from the very beginning: the hymnal of the Church. They remain, certainly, the songs of Israel: from its cries of lamentation to its shouts of exultation. But for the Christian reader, they become as well hymns of petition and praise that express both the joy and the longing of those who live 'in Christ' . . . At the same time their very language can convey to us the assurance that, as he has throughout the millennia, God hears our prayer and responds to it with boundless mercy, love, and compassion. --from the Preface by Fr. John Breck Professor Sheehan's brief introductory exposition of the Davidic roots of Psalms and the poetics of chiasmus guides us in understanding how the ruining oppositions of actual experience are held in Psalms within the musical disciplines of lyric art: held, until God Himself can be seen in the ruins: seen, and felt, and overwhelmingly and gratefully loved. The psalmist's world doesn't change as he turns his experience toward God. What changes is he himself. How he changes is toward acquiring the very mind of Christ, to which each of us is called. "

The purpose of this book is to communicate as clearly as possible Paul’s gospel of God in its depth, from what I have learned over five decades of studying Paul’s letters and theology. But, regardless of how much I have gained from teachers past and present, the bottom line is that “the things freely given us by God” in Paul’s gospel can only be known by the Spirit of God, through comparing Paul’s Spirit-taught words with Spirit-taught words (1 Cor 2:12–13). Luther’s grasp of how justification in Christ—and thus faith in Christ—is central, is verified by what Paul says in Rom 1:16–17; that in the gospel, God’s saving righteousness is revealed, from Christ’s faith to our faith. The message of this book can be summed up as follows: The life of the person in Christ is to be one of trust in Christ for righteousness before God, and, through that faith, obedience to Christ as Lord. This life is possible because Christ believers have died with Christ to the lordship of the Sin and the law, and are alive to God in Christ Jesus—owned by him as Lord, being one spirit with him.