Leave your family peace of mind with this new approach to wills and estates Whenever Elizabeth Arnold tells people her specialty, they usually share their own family dilemmas. Maybe Dad left behind a misguided or inadequate will. Maybe Aunt Sue nabbed the vase that wasn’t in Grandma’s will and Aunt Pat hasn’t spoken a kind word to her since. Maybe Sis can’t decide who should get the kids in case of a tragedy, so she doesn’t have any will at all. Such tales of woe have nothing to do with legal or tax problems. The real issues behind wills gone wrong—or wills that never get off the ground—are the human ones. Creating the Good Will tackles the important human dimensions that most books about wills fail to address. Arnold teaches her readers that wills are not just legal documents but also heartfelt emotional tools.

In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of "secondhand style" and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion. Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt.

Johan is a cold and calculating killer with a mysterious past, and brilliant Dr. Kenzo Tenma is the only one who can stop him! Conspiracy and serial murder open the door to a compelling, intricately woven plot in this masterwork of suspense. “Once upon a time, there lived a monster without a name. He wanted a name very badly. So one day he made up his mind to set out on a journey to find a name.” How could this strange Czech children’s story have upset Johan so much? Does the book hold any clues to the mystery of Johan’s birth? One mystery leads to another as events unfold. The border police spot Tenma when he tries to smuggle himself into the Czech Republic to look for Johan’s mother. With the help of Grimmer, a freelance journalist, Tenma manages a narrow escape. Though the two men part without discussing what brought them together, Grimmer is also deeply interested in the same thing Tenma is looking for—511 Kinderheim, which once existed in East Germany. The story moves to the streets of Prague…

First published in 2002. This is Volume X of twelve in the Library of Philosophy series on Ethics. Written in 1927, this book presents a study in the Coherence Theory of Goodness and looks at areas of will and its context, self and self-knowledge, the world and self and develops into the will as immediate and as individual. The book ends on will as both moral and social. It looks at goodness on two main sides The first is that goodness has its roots in the spiritual activity called willing; that it belongs to things, not in themselves, but as objects of some kind of willing. The second is that goodness belongs to the coherent will; that different kinds of goodness, whether in actions or in things, are due to the different kinds of coherence in the will which wills them; and that moral goodness in particular belongs to a will which. is coherent as a member of an all-inclusive, society of coherent wills.

Leave your family peace of mind with this new approach to wills and estates Whenever Elizabeth Arnold tells people her specialty, they usually share their own family dilemmas. Maybe Dad left behind a misguided or inadequate will. Maybe Aunt Sue nabbed the vase that wasn’t in Grandma’s will and Aunt Pat hasn’t spoken a kind word to her since. Maybe Sis can’t decide who should get the kids in case of a tragedy, so she doesn’t have any will at all. Such tales of woe have nothing to do with legal or tax problems. The real issues behind wills gone wrong—or wills that never get off the ground—are the human ones. Creating the Good Will tackles the important human dimensions that most books about wills fail to address. Arnold teaches her readers that wills are not just legal documents but also heartfelt emotional tools.