Charlie Howard travels the globe writing suspense novels for a living, about an intrepid burglar named Faulks. To supplement his income---and to keep his hand in---Charlie also has a small side business: stealing for a very discreet clientele on commission. When a mysterious American offers to pay Charlie 20,000 euros if he steals two small monkey figurines to match the one he already has, Charlie is suspicious; he doesn't know how the American found him, and the job seems too good to be true. And, of course, it is. Although the burglary goes off without a hitch, when he goes to deliver the monkeys he finds that the American has been beaten to near-death, and that the third figurine is missing. Back in London, his long-suffering literary agent, Victoria (who is naive enough to believe he actually looks like his jacket photo), tries to talk him through the plot problems in both his latest manuscript and his real life---but Charlie soon finds himself caught up in a caper reminiscent of a Cary Grant movie, involving safe-deposit boxes, menacing characters, and, of course, a beautiful damsel in distress. Publishers Weekly called Chris Ewan's The Good Thief's Guide to Amsterdam one of the "best books for grownups."

The moment I'd scanned the outside of the building, I turned to Bruno and said, "First impressions, it looks straightforward." Looking back, I can't help but wonder what I was thinking. I mean, put that line at the opening of a crime novel and it's practically a guarantee that everything is about to get complicated. Charlie Howard—globe-trotting mystery writer, professional thief, and poor decision maker—is in Paris. Flush with the success of his latest book reading, not to mention a few too many glasses of wine, Charlie agrees to show a complete novice how to break into an apartment in the Marais. Fast-forward twenty-four hours and Charlie's hired to steal an ordinary-looking oil painting—from the exact same address. Mere coincidence? Charlie figures there's no harm in finding out—until a dead body turns up in his living room and he finds himself evading the law while becoming caught up in a quite outrageous heist. And that's before Charlie's literary agent, Victoria (who's naive enough to assume that he looks like his author photo), finally decides they should meet face-to-face. Nobody ever said a life of suspense was easy, but in Chris Ewan's The Good Thief's Guide to Paris, Charlie, the most disarmingly charming burglar since Cary Grant, soon finds things are getting way out of control.

Charlie Howard, gentleman thief and famous crime-writer, has gone straight. But holing himself up in a crumbling palazzo in Venice in an attempt to concentrate on his next novel hasn't got rid of the itch in his fingers. And to make matters worse, a striking Italian beauty has just broken into his apartment and made off with his most prized possession, leaving a puzzling calling card in its place.It looks as though kicking the habit of a lifetime will be much more of a challenge than Charlie thought. Sneaking out into Venice's maze of murky canals, and trying not to relish being back on the job too much, Charlie's efforts to be reunited with his treasured first-edition of The Maltese Falconquickly embroil him in a plot that is far bigger and more explosive than he could ever have imagined. But by the time he finds himself bundling his first ever hostage into a trunk on a speedboat and on the run from the poliziahe has to admit that he is in way too deep.

A brilliant thriller from the author of the acclaimed Good Thief's Guide series asks, how can a beautiful woman simply vanish? When Rob Hale wakes up in a hospital after a motorcycle crash, his first thought is for the gorgeous blonde, Lena, who was on the back of his bike. The doctors and police, however, insist that he was alone at the scene. The shock of the accident must have made him imagine Lena, especially since his description of her resembles his late sister, Laura. Convinced that Lena is as real as he is, Rob teams up with Rebecca Lewis, a London-based PI who has a mysterious connection to Laura—and learns that even a close-knit community like the Isle of Man can hide dangerous secrets that will not stay safe forever. Chris Ewan's Safe House "is an exciting, well crafted thriller, with flashes of real humour and insight." (SJ Bolton).

“Like All the Light We Cannot See, The Paris Hours explores the brutality of war and its lingering effects with cinematic intensity. The ending will leave you breathless.” —Christina Baker Kline, author of Orphan Train and A Piece of the World One day in the City of Light. One night in search of lost time. Paris between the wars teems with artists, writers, and musicians, a glittering crucible of genius. But amidst the dazzling creativity of the city’s most famous citizens, four regular people are each searching for something they’ve lost. Camille was the maid of Marcel Proust, and she has a secret: when she was asked to burn her employer’s notebooks, she saved one for herself. Now she is desperate to find it before her betrayal is revealed. Souren, an Armenian refugee, performs puppet shows for children that are nothing like the fairy tales they expect. Lovesick artist Guillaume is down on his luck and running from a debt he cannot repay—but when Gertrude Stein walks into his studio, he wonders if this is the day everything could change. And Jean-Paul is a journalist who tells other people’s stories, because his own is too painful to tell. When the quartet’s paths finally cross in an unforgettable climax, each discovers if they will find what they are looking for. Told over the course of a single day in 1927, The Paris Hours takes four ordinary people whose stories, told together, are as extraordinary as the glorious city they inhabit.

Charney crafts an intellectual masterpiece--the mystery of three missing masterpieces that sends criminals and curators alike on a rollicking chase through the art galleries and auction houses of Europe.

A stylish, sexy page-turner set in Paris on the eve of World War II, where Clementine, a queer American ex-pat and notorious thief, is drawn out of retirement and into one last scam when the Nazis invade. "A hint of Moulin Rouge, a whiff of Kristin Hannah’s The Nightingale, a little spritz of Hitchcock’s To Catch a Thief...The Perfume Thief is a pulse-pounding thriller and a sensuous experience you’ll want to savor."—Oprah Daily Clementine is a seventy-two-year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down in 1930 and opens a shop bottling her favorite extracts for the ladies of the cabarets. Now it's 1941 and Clem's favorite haunt, Madame Boulette's, is crawling with Nazis, while Clem's people—the outsiders, the artists, and the hustlers who used to call it home—are disappearing. Clem's first instinct is to go to ground—it's a frigid Paris winter and she's too old to put up a fight. But when the cabaret's prize songbird, Zoe St. Angel, recruits Clem to steal the recipe book of a now-missing famous Parisian perfumer, she can't say no. Her mark is Oskar Voss, a Francophile Nazi bureaucrat, who wants the book and Clem's expertise to himself. Hoping to buy the time and trust she needs to pull off her scheme, Clem settles on a novel strategy: Telling Voss the truth about the life and loves she came to Paris to escape. Complete with romance, espionage, champagne towers, and haute couture, this full-tilt sensory experience is a dazzling portrait of the underground resistance of twentieth-century Paris and a passionate love letter to the power of beauty and community in the face of insidious hate.