The Good Ship Faith is about a good king, his royal fleet, and the power of faith demonstrated in one of his captains who dared to believe for the impossible. The king’s royal fleet is composed of warriors of righteousness—they are passionately devoted to him and are zealously carrying out his missions of mercy, which involve warfare and the rescue of imprisoned souls held captive by the predatory pirates of darkness. Unsuspecting victims of these covert pirates are often surprised when they discover that they had been deceived and are under their tyrannical control.

Laysa Coralla has it made. As the daughter of one of the wealthiest men on her planet, her future has been carefully planned: a wealthy husband, a beautiful home, the perfect ending. Then Laysa's life is altered drastically when she learns a terrible secret: she is the descendent of a race of evil warlords, a people long ago banned from the safe planets. Declared unfit for her home, Laysa is banished to outer space. She is thrown into an alien world of shimmering ships and constant battle, where gem-laden gang lords wield electrical weaponry and animals are engineered to kill. Many are lost among the stars, their souls sold for a sacred but evil name. Desperately lost, Laysa has no choice but to join the people she has always believed are monsters, to seek refuge as the servant of a frightening warrior and, inevitably, to wonder if she herself is good or evil.

While taking care of her brother for eleven years, she heard many stories of his time in the navy. Leoma told him she was going to write a book to share his stories.

The Fondation Louis Vuitton by Frank O. Gehry rises from the Bois de Boulogne as a new landmark in the Parisian skyline. Gehry’s dynamic architecture is both glittering and multifaceted: is it a sailing vessel, an iceberg, or a sea monster? It fascinates with its wealth of references and, at the same time, escapes any clear-cut definition. Three outstanding representatives of different generations of art history, James S. Ackerman (†), Irving Lavin, and Horst Bredekamp have together paid a visit to the Fondation Louis Vuitton. They explore the building in three richly illustrated essays that try to fathom the floating architecture of the "magician" Gehry in the context of both art and architectural history.

Edwin B Massey Jr's GOODSHIP LOLLIPOP is a compelling compendium of powerful and richly profound poetry, spanning 1989-1996, composed by an exceptionally powerful free-form poet of extraordinary depth, vision and voice. Writing in free verse-in incredibly intimate yet ever truthful terms-Edwin traverses the vast length and breadth of art, history, literature, music and even mythology in speaking poetry that's as humanistic as it is majestic in its simplicty. He is and remains the true poetic MINSTREL of the San Francisco East Bay community, who so prodigiously yet unspeakably expounds more upon the spoken than the written word, leaving his readers struck with wonder and craving devouringly for more -Joseph Covino Jr, Publisher, Epic Press