The Good Monarchs tells the stories of 18 of the best monarchs in history. The monarchs chosen are those who most tried to benefit the people of their nation from 641 BCE up to the present day. These leaders hail from 15 different countries and four continents.

Describes the life cycle and winter migrations of the eastern and western monarch butterflies and the two towns that protect their winter habitats. Copyright © Libri GmbH. All rights reserved.

Written in the tradition of historians like Mary Beard and Stacy Schiff who find modern lessons in ancient history, this provocative narrative explores the lives of five remarkable pharaohs who ruled Egypt with absolute power, shining a new light on the country's 3,000-year empire and its meaning today. In a new era when democracies around the world are threatened or crumbling, best-selling author Kara Cooney turns to five ancient Egyptian pharaohs--Khufu, Senwosret III, Akenhaten, Ramses II, and Taharqa--to understand why many so often give up power to the few, and what it can mean for our future. As the first centralized political power on earth, the pharaohs and their process of divine kingship can tell us a lot about the world's politics, past and present. Every animal-headed god, every monumental temple, every pyramid, every tomb, offers extraordinary insight into a culture that combined deeply held religious beliefs with uniquely human schemes to justify a system in which one ruled over many. From Khufu, the man who built the Great Pyramid at Giza as testament to his authoritarian reign, and Taharqa, the last true pharaoh who worked to make Egypt great again, we discover a clear lens into understanding how power was earned, controlled, and manipulated in ancient times. And in mining the past, Cooney uncovers the reason why societies have so willingly chosen a dictator over democracy, time and time again.

Covers more than 1000 rulers and two millennia of history

In this thrilling conclusion to New York Times bestselling authors Kass Morgan and Danielle Paige’s The Ravens duology, loyalty, love, and friendships are tested as sorority sisters Scarlett and Vivi must face the forces of hell itself when a rival sorority threatens to wreak havoc on campus. The ultra-exclusive Kappa Rho Nu—the Ravens—are determined to restore balance to the world. After destroying an ancient talisman and barely saving their sorority in the process, they’ll go to any lengths to keep their secret as Westerly’s most powerful coven of witches. Scarlett Winter, a legacy Raven, has finally gotten what she’s always wanted: Scarlett is Kappa Rho Nu’s newest president. Unlike her mother or older sister before her, Scarlett has a vision for a more unified Kappa, one where no sister falls to the forces of wicked magic. But the powers of the presidency have their own pitfalls. And with the pressures of alumni bureaucracy and past failures weighing on her, Scarlett finds herself at risk of losing the very thing that defined her: her magic. As a new member of Kappa Rho Nu, Vivi Devereaux finally knows what it’s like to belong. She has her Kappa Rho Nu sisters behind her and, with Scarlett’s blessing, Vivi’s happily dating her first college crush (who also just happens to be Scarlett’s ex). When Scarlett assigns Vivi the coveted role of social chair, Vivi is determined to live up to her Big’s expectations. But Vivi’s studies in witchcraft take a deadly turn when she uncovers a new form of magic, one that has mysterious ties to Kappa Rho Nu’s past and the vengeful demon once tied to their talisman. With the weight of their newfound roles and the terrible price of destroying the talisman haunting them, Scarlett and Vivi must save their sisterhood when the forces of hell itself and a rival sorority threaten to unleash havoc on the Ravens.

This book provides a boldly original account of Middle English literature from the Norman Conquest to the beginning of the sixteenth century. It argues that these centuries are, in fundamental ways, the momentous period in our literary history, for they are the long moment in which the category of literature itself emerged as English writing began to insist, for the first time, that it floated free of any social reality or function. This book also charts the complex mechanisms by which English writing acquired this power in a series of linked close readings of both canonical and more obscure texts. It encloses those readings in five compelling accounts of much broader cultural areas, describing, in particular, the productive relationship of Middle English writing to medieval technology, insurgency, statecraft and cultural place, concluding with an in depth account of the particular arguments, emphases and techniques English writers used to claim a wholly new jurisdiction for their work. Both this history and its readings are everywhere informed by the most exciting developments in recent Middle English scholarship as well as literary and cultural theory. It serves as an introduction to all these areas as well as a contribution, in its own right, to each of them.