The serpent of ancient times was more often associated with positive attributes like healing and eternal life than it was with negative meanings. This groundbreaking book explores in plentiful detail the symbol of the serpent from 40,000 BCE to the present, and from diverse regions in the world. In doing so it emphasizes the creativity of the biblical authors' use of symbols and argues that we must today reexamine our own archetypal conceptions with comparable creativity.--From publisher description.

In this study, Brian A. Verrett argues that 1–2 Samuel contains a serpent motif by practicing biblical theology and literary criticism. This motif derives from the serpent in Genesis 3, and its function within the Samuel narrative is to heighten the reader’s anticipation in the coming messiah, who is the son of David and the seed of the woman from Genesis 3:15. This messiah will defeat the serpent and inaugurate his glorious reign over a renewed world. When 1–2 Samuel is read in this way, one appreciates previously unnoticed features of the text, understands aspects of the text that were formerly confusing, and rightly sees that the whole of 1–2 Samuel is a messianic document.

Although a story with a serpent, a damsel in distress, and a serpent slayer may sound like just another fairy tale, it is, in fact, part of the greatest true account ever told—the Bible. Epic tales resonate with readers because they echo the greatest story. In this new addition to the Short Studies in Biblical Theology series, Andrew David Naselli traces the theme of snakes and dragons from the serpent in the garden to the devouring dragon in Revelation, culminating with the return of the King. New and seasoned Christians alike will experience afresh the captivating unifying narrative behind all stories as they embark on a journey through the Bible with a trusted biblical scholar.

Women who want God to be more than superficially in their lives can rise above the world's expectations by becoming housewife theologians finding true meaning and true worship everyday. Great for journaling and for group discussion.

For centuries, the Garden of Eden story has been a cornerstone for the Christian doctrine of the Fall and original sin. In recent years, many scholars have disputed this understanding of Genesis 3 because it has no words for sin, transgression, disobedience, or punishment. Instead, it is about how the human condition came about. Yet the picture is not so simple. The Genesis of Good and Evil examines how the idea of the Fall developed in Jewish tradition on the eve of Christianity. In the end, the Garden of Eden is a rich study of humans in relation to God that leaves open many questions. One such question is, Does Genesis 3, 4, and 6, taken together, support the Christian doctrine of original sin? Smiths well-informed, close reading of these chapters concludes that it does. In this book, he addresses the many mysterious matters of the Garden story and invites readers to explore questions of their own.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Feared and worshiped in equal measure, snakes have captured the imagination of poets, painters, and philosophers for centuries. From Ice Age cave drawings to Snakes on a Plane, this creature continues to enthrall the public. But what harm has been caused by our mythologizing? While considering the dangers of stigma, Erica Wright moves from art and pop culture to religion, fetish, and ecologic disaster. This book considers how the snake has become more symbol than animal, a metaphor for how we treat whatever scares us the most, whether or not our panic is justified. Object Lessons is published in partnership with an essay series in the The Atlantic.

"When aspiring author Charlotte Kingsley finally gets published, she thinks all her dreams have come true. But the trouble begins when her publicity firm reinvents her quirky online presence into a perfectly curated dream life. Gone are the days of sweatpant posts and ice cream binges with her best friend, Anders, replaced instead with beautiful clothes, orchestrated selfies, and no boyfriend. Only, that carefully curated fairy tale life is ruining her self-esteem and making her feel like a fraud. When a bestselling author takes Charlotte under her wing--almost like a fairy godmother--she helps Charlotte see the beautiful person she already is and the worth of being authentic. But is it too late to save her relationship with Anders? The clock is quickly ticking towards midnight, and Charlotte must decide between her fairy tale life and the man she loves, before he's gone forever"--