NEW YORK TIMES BESTSELLER • A finger in a wedding cake is only the beginning in this deliciously shocking mystery featuring Flavia de Luce, “the world’s greatest adolescent British chemist/busybody/sleuth” (The Seattle Times). Although it is autumn in the small English town of Bishop’s Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce’s sister Ophelia is at last getting hitched, like a mule to a wagon. “A church is a wonderful place for a wedding,” muses Flavia, “surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar.” Flavia is not your normal twelve-year-old girl. An expert in the chemical nature of poisons, she has solved many mysteries, sharpening her considerable detection skills to the point where she had little choice but to turn professional. So Flavia and dependable Dogger, estate gardener and sounding board extraordinaire, set up shop at the once-grand mansion of Buckshaw, eager to serve—not so simple an endeavor with her odious little moon-faced cousin, Undine, constantly underfoot. But Flavia and Dogger persevere. Little does she know that their first case will be extremely close to home, beginning with an unwelcome discovery in Ophelia’s wedding cake: a human finger. Praise for The Golden Tresses of the Dead “Delightful . . . The mysteries in Mr. Bradley’s books are engaging, but the real lure is Ms. de Luce, the irreverent youngster.”—The Wall Street Journal “A ghoulish question is at the heart of Bradley’s excellent tenth Flavia de Luce novel. . . . Bradley, who has few peers at combining fair-play clueing with humor and has fun mocking genre conventions, shows no sign of running out of ideas.”—Publishers Weekly (starred review)

NEW YORK TIMES BESTSELLER On a spring morning in 1951, eleven-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces’ crumbling estate, Flavia puts her sleuthing skills to the test. Following a trail of clues sparked by the discovery of a reel of film stashed away in the attic, she unravels the deepest secrets of the de Luce clan, involving none other than Winston Churchill himself. Surrounded by family, friends, and a famous pathologist from the Home Office—and making spectacular use of Harriet’s beloved Gipsy Moth plane, Blithe Spirit—Flavia will do anything, even take to the skies, to land a killer. BONUS: This edition includes an excerpt from Alan Bradley's As Chimney Sweepers Come to Dust. Praise for The Dead in Their Vaulted Arches “Part Harriet the Spy, part Violet Baudelaire from Lemony Snicket’s A Series of Unfortunate Events, Flavia is a pert and macabre pragmatist.”—The New York Times Book Review “[Alan] Bradley’s award winning Flavia de Luce series . . . has enchanted readers with the outrageous sleuthing career of its precocious leading lady. . . . This latest adventure contains all the winning elements of the previous books.”—Library Journal (starred review) “Bradley’s latest Flavia de Luce novel reaches a new level of perfection as it shows the emotional turmoil and growth of a girl who has always been older than her years and yet is still a child. The mystery is complex and very personal this time, reaching into the past Flavia never knew about. . . . These are astounding, magical books not to be missed.”—RT Book Reviews (Top Pick) “Excellent . . . Flavia retains her droll wit. . . . The solution to a murder is typically neat, and the conclusion sets up future books nicely.”—Publishers Weekly (starred review) “It’s hard to resist either the genre’s pre-eminent preteen sleuth or the hushed revelations about her family.”—Kirkus Reviews “Flavia . . . is as fetching as ever; her chatty musings and her combination of childish vulnerability and seemingly boundless self-confidence haven’t changed a bit.”—Booklist Acclaim for Alan Bradley’s beloved Flavia de Luce novels, winners of the Crime Writers’ Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Winn Award, and Arthur Ellis Award “If ever there were a sleuth who’s bold, brilliant, and, yes, adorable, it’s Flavia de Luce.”—USA Today “Irresistibly appealing.”—The New York Times Book Review, on A Red Herring Without Mustard “Original, charming, devilishly creative.”—Bookreporter, on I Am Half-Sick of Shadows “Delightful and entertaining.”—San Jose Mercury News, on Speaking from Among the Bones

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • NEW YORK TIMES BESTSELLER From award-winning author Alan Bradley comes the next cozy British mystery starring intrepid young sleuth Flavia de Luce, hailed by USA Today as “one of the most remarkable creations in recent literature.” Eleven-year-old amateur detective and ardent chemist Flavia de Luce is used to digging up clues, whether they’re found among the potions in her laboratory or between the pages of her insufferable sisters’ diaries. What she is not accustomed to is digging up bodies. Upon the five-hundredth anniversary of St. Tancred’s death, the English hamlet of Bishop’s Lacey is busily preparing to open its patron saint’s tomb. Nobody is more excited to peek inside the crypt than Flavia, yet what she finds will halt the proceedings dead in their tracks: the body of Mr. Collicutt, the church organist, his face grotesquely and inexplicably masked. Who held a vendetta against Mr. Collicutt, and why would they hide him in such a sacred resting place? The irrepressible Flavia decides to find out. And what she unearths will prove there’s never such thing as an open-and-shut case. BONUS: This edition includes an excerpt from Alan Bradley’s The Dead in Their Vaulted Arches. Acclaim for Speaking from Among the Bones “[Alan] Bradley scores another success. . . . This series is a grown-up version of Nancy Drew, the Hardy Boys and all those mysteries you fell in love with as a child.”—The San Diego Union-Tribune “The precocious and irrepressible Flavia . . . continues to delight.”—Publishers Weekly (starred review) “Fiendishly brilliant . . . Bradley has created an utterly charming cast of characters . . . as quirky as any British mystery fan could hope for.”—Bookreporter “Delightful and entertaining.”—San Jose Mercury News

"The world's greatest adolescent British chemist/busybody/sleuth" (The Seattle Times), Flavia de Luce, returns in a twisty new mystery novel from award-winning and New York Times bestselling author Alan Bradley. In the wake of an unthinkable family tragedy, twelve-year-old Flavia de Luce is struggling to fill her empty days. For a needed escape, Dogger, the loyal family servant, suggests a boating trip for Flavia and her two older sisters. As their punt drifts past the church where a notorious vicar had recently dispatched three of his female parishioners by spiking their communion wine with cyanide, Flavia, an expert chemist with a passion for poisons, is ecstatic. Suddenly something grazes against her fingers as she dangles them in the water. She clamps down on the object, imagining herself as Ernest Hemingway battling a marlin, and pulls up what she expects will be a giant fish. But in Flavia's grip is something far better: a human head, attached to a human body. If anything could take Flavia's mind off sorrow, it is solving a murder—although one that may lead the young sleuth to an early grave.

Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.