With millions of copies sold worldwide, Di Morrissey is Australia's favourite storyteller with new novel The Night Tide out now. Natalie is a young Gold Coast mother with a loving husband, two small children and a happy lifestyle. While helping her mother move house, she finds a little box containing a Burmese artefact. When Natalie learns its unique history through a letter left by her great-great uncle, it ignites an interest in its country of origin and her uncle's unfulfilled plans for this curio. Her investigations collide with her own dramatically changing circumstances and create a catalyst for a moral dilemma that challenges the core of her marriage as she finds herself immersed in two very different golden lands.

Since it first appeared in 1956, Mrs. Vanstory's rich narrative of the barrier islands from Ossabaw to Cumberland--and the mainland towns along the way--has become the standard popular history of Georgia's golden coast. Thoroughly revised and with over forty new illustrations, this edition traces the crucial and colorful role these islands have played from the sixteenth century to the twentieth. Home, at one time or another, to the American Indians, the French, the Spanish, and the English; to buccaneers, friars, and priests; to Puritans and Scottish Highlanders; to slave traders, planters, soldiers, statesmen, and millionaires, these islands are as rich in history as they are in natural beauty. Georgia's Land of the Golden Isles now takes the reader through the years from General James Oglethorpe to President Jimmy Carter, unfolding the stories of the lives that have touched, or been touched by, the golden isles of Georgia.

The visual impact of Burmese lacquerware is striking - the objects are dazzingly coloured, often in scarlet, gold and black, and are frequently inlaid with coloured stone or glass. A natural plastic, refined from the sap of a Southeast Asian tree, lacquer is worked into vessels of every sort and is also used in architecture, furniture, sculpture and religious ritual. It is one of the most important artistic tradition of Burma and is very much a living craft.