Forget about Bernie Madoff or Gordon Gekko—there's a new villain on Wall Street... Norb Vonnegut didn't realize how close he skirted to non-fiction when he was writing his spectacular debut Top Producer. Penned before tumultuous revelations and scandals rocked the financial world in late 2008, Vonnegut's novel depicts, with an insider's solid knowledge, the tricks that the industry's real top producers pull in their frenzied pursuit of billions. Now Vonnegut sets his electrifying follow-up in the high-rolling world of hedge funds, lending his seasoned perspective to a riveting thriller. Jimmy Cusack is the tough kid from a blue-collar neighborhood who made good on Wall Street. Well, almost. After a sterling start to his career, things have soured. His hedge fund has collapsed. The bank is foreclosing on his upscale condominium. And his wife is two months pregnant. That's the good news. When Cusack takes a "must-have" job with Leeser Capital, a Greenwich fund impervious to the capital market woes, his real troubles begin. Vonnegut's unique insider's perspective and his intuitive, darkly humorous writing are once again on full display in this fast-talking suspense thriller. A high-stakes poker game of a book, The Gods of Greenwich is a timely and gripping read that will keep you glued to the edge of your seat until the last card is played.

The author of "Top Producer" and a veteran wealth manager sets this electrifying follow-up in the high-rolling world of hedge funds, lending his seasoned perspective to a fresh, riveting financial thriller. Available in a tall Premium Edition. Martin's Press.

In the wake of a man's graphic murder in front of hundreds of party-goers, the victim's best friend, investment expert Grove O'Rourke, is entreated by the man's widow for help, a situation that is further complicated by a dark secret and an expensive cover-up.

"Mr. Vonnegut dreams up diabolically elegant business crimes, then sends smart-talking characters to follow the money. He draws upon his own Wall Street experience (with Morgan Stanley, among other employers) to provide the sound of insider acumen.... There's enough novelty to this plot to set "The Trust" apart from garden-variety business thrillers, the ones in which Bernard Madoff stand-ins run Ponzi schemes. Anyway, Mr. Vonnegut is just getting started." -The New York Times Norb Vonnegut lends his unique insider's perspective and his darkly humorous writing to a fast-talking suspense thriller that takes readers inside the high-rolling world of global finance. One sultry morning in Charleston, South Carolina, real estate magnate Palmer Kincaid's body washes ashore, the apparent victim of accidental drowning. Palmer's daughter calls Grove O'Rourke, stockbroker and hero of Top Producer, for help getting her family's affairs in order. Palmer was Grove's mentor and client, the guy who opened doors to a world beyond Charleston. Grove steps in as the interim head of the Palmetto Foundation, an organization Palmer created to encourage philanthropy. Community foundations, like the Palmetto Foundation, are conduits. Philanthropists gift money to them and propose the ultimate beneficiaries. But in exchange for miscellaneous benefits-anonymity, investment services, and favorable tax treatment-donors lose absolute control. Once funds arrive, community foundations can do whatever they decide. For years Palmer showed great sensitivity to his donors, honoring their wishes to funnel funds into the charities of their choice-his unspoken pledge-and it was this largesse which made him a respected pillar of the Charleston community. But after Grove authorizes a $25 million transfer requested by a priest from the Catholic Fund, he discovers something is terribly wrong. He gets a call from Biscuit Hughes, a lawyer representing the people of Fayetteville, North Carolina, against a new sex superstore in their town. Biscuit has traced the store's funding to a most unlikely source: the Catholic Fund. Together, Grove and Biscuit launch an investigation into the fund, but the deeper they dig, the more evidence they find that the fund's money isn't being used to support the impoverished-it's going somewhere much more sinister. When someone close to him disappears and the FBI starts breathing down his neck, Grove knows he has to figure out who's pulling all the strings before the shadowy figure who will stop at nothing to keep the fund a secret gets to him.

New York City, 1845. Timothy Wilde, a 27-year-old Irish immigrant, joins the newly formed NYPD and investigates an infanticide and the body of a 12-year-old Irish boy whose spleen has been removed.

Norman Mailer’s dazzlingly rich, deeply evocative novel of ancient Egypt breathes life into the figures of a lost era: the eighteenth-dynasty Pharaoh Rameses and his wife, Queen Nefertiti; Menenhetet, their creature, lover, and victim; and the gods and mortals that surround them in intimate and telepathic communion. Mailer’s reincarnated protagonist is carried through the exquisite gardens of the royal harem, along the majestic flow of the Nile, and into the terrifying clash of battle. An extraordinary work of inventiveness, Ancient Evenings lives on in the mind long after the last page has been turned. Praise for Ancient Evenings “Astounding, beautifully written . . . a leap of imagination that crosses three millennia to Pharaonic Egypt.”—USA Today “Mailer makes a miraculous present out of age-deep memories, bringing to life the rhythms, the images, the sensuousness of a lost time.”—The New York Times “Mailer’s Egypt is a haunting and magical place. . . . The reader wallows in the scope, depth, the sheer magnitude and—yes—the fertility of his imagination.”—The Washington Post Book World “An enormous pyramid of a novel [reminiscent of] Thomas Pynchon’s Gravity’s Rainbow and Carlos Fuentes’s Terra Nostra.”—Los Angeles Herald Examiner Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

Samira Diallo is a young woman living in Greenwich, Connecticut, where she studies at Cadmus College. As the only African-American gal on the swim team, Samira wows them with her prowess. Opposing her is her rival Lynn Wellington, the blonde queen of the swim team. Lynn sets out to expose Samira, and discovers that she's much more than she seems. As it turns out, Samira has extraordinary powers, and was once one of the Gods and Goddesses of Dahomey ( present-day Benin ). The Gods of West Africa are back, and they've definitely got major plans for the beautiful, wayward Samira, and the rest of Mankind. Opposing the West African Gods are their ancient enemies, the Primordial Ones, and their mortal agents. Will the modern world survive this Divine conflict ?